EARTHQUAKE, tsunami, meltdown. The three words describing the current
series of chain-reaction disasters in Japan can be expanded into
describing what is happening worldwide in a broader sense. The Earth is
quaking under our not-so-careful stewardship. There are waves of unrest
all around the world rising in revolution. Economic upheaval is
threatening a way of life we thought could continue unchecked. We are
being shaken to the core. The end result of all of this is a disastrous
threat of meltdown that will affect lives around the world. The
relentless reality of it all is blared in the news every day. How many
warning signs will it take?
ONE
HAS TO WONDER what is going on? It seems that we're having to reach for
that last hope all-t00-quickly, which comes in good wishes, positive
action and movement toward stabilizing our environment. Japan has always
been a defiant nation of people—never to be pitied. Many countries of
the world are in upheaval, whether it is because of natural disasters or
man-made ones—or a combination of both. All I know that positive words
and action can change a lot of things for the better. And you don't need
an army to do it. The power of one can be multiplied exponentially and
be heard around the world. We are all connected in a more profound way
than any time in history.
IN
OUR WORLD of control and containment of Mother Nature, we have lost
sight of her power and the reminders are getting more and more dramatic.
What does it take to awaken ourselves to the bleak future we might be
creating? A plea written in my post about the Gulf of Mexico oil disaster bears repeating:
FOR
THOSE OF US who consider our relationship with the natural world as
something sacred, we have reached a point of no return—a point where we
consider just how sacred it is to us. We are all complicit in the
civilization we have created, whether it is having out-of-season produce
shipped to us from continents far away or driving our cars to work. Our
planet is in distress because of our actions—human actions—and the
other inhabitants of this Earth, who we call "wildlife," are left
unwittingly to the destruction and havoc we have wrought. At what point
do the economics of a situation not matter? At what point do we shift
into a collaboration with Mother Earth, instead of a war with her? We,
as humans do not hold dominion over the natural world, except in its
destruction.
THIS
TREE is an impassioned and hopeful wish for the speedy recovery of
Japan specifically, but for the whole of humanity broadly. It is all
about the unity and positive drive we can have to become better
versions of ourselves. We are either in-control or out-of-control when
it comes to our actions. It is a simple black-and-white choice. ALL of
our futures depend on it. No matter what country we call home, we are
all the indisputable children of the natural world. And our Mother is
crying loudly. Some of the trees I decorate have become miniature altars
of sorts—like this one. This is my small way of sending out positive
energy from my little corner of the blogosphere.
FULL CIRCLE | (Top) Circles of multi-colored folded cranes were made by my creative friend Jon Chavez who wanted to give me something back from a gift I gave to him that included the singular folded cranes within the gift box (bought from member Origamiyyc on Ebay directly from Japan months before this disaster). The legend goes in Japan that folding a thousand cranes makes a wish come true. It's ironic that these cranes have traveled from around the world, came back to me in a different form and are now coming to you via this post—pretty powerful stuff I would say. The dogwood branch I used is young in bloom. The legend adopted by the Christian religion says that a flowering dogwood tree was used to make the cross of the crucifixion. Whether this is a blessing or a curse depends on your beliefs. The singular crane at the base of the tree can also be seen in this post and was folded by Atlanta artisan Sachiko Kogure. The egg holder is from the Heartwood Creek collection by Jim Shore for Enesco. The egg is from this season's Easter product line at Target and is covered in origami-like paper (washi) in the style of a traditional Japanese egg decorating technique called kirigami, which uses cut paper. Eggs in the Japanese tradition represent creation, new beginnings, life and friendship.
FOLDED WISHES | (Second from top) In the case of this tree, I am using the dogwood branch to symbolize resurrection and regeneration for Japan. The multi-colored cranes represent the people of all nations coming together to assist in this effort.
LOTUS LORE | (Third from top) The lotus flower at the base of the tree is a very good faux stand-in from Michaels. The lotus flower has rich symbolism in Japan and is one of the most poignant representations of Buddhist teachings: The roots of a lotus grow in the mud, the stem rises up through the water, and the flower lies atop above the water's surface, reaching the sunlight. This pattern of growth signifies the progress of the soul from the primeval mud of materialism, through the waters of experience, and into the bright sunshine of enlightenment.
MUSHROOM LIFE | (Above, bottom) These mushrooms from Pier 1 Imports are reminders of the tenacious and magical quality mushrooms have—existing as symbols of life that pop up in a substrate of decay, adding a smiling element of surprise along with the fresh grass blades "growing" next to them. The antiqued wooden Chinese container from Homegoods stands on "stilts" above the surface of the round wooden table from Marshalls, which also represents the red circle of the Japanese flag.
PASSIONATE POSTERS | (Below) This series of inspired posters were designed by talented Japanese Canadian designer Linda Yuki Nakanishi (Left). They were created as her wish to give something back to her beloved country after realizing the gravity of the news from Japan. The descriptions below are in the artist's own words. All profits from her sale of these posters will go to the Canadian Red Cross efforts for the victims affected by the recent earthquakes and tsunamis. You can purchase one or all of them here.
MELTDOWN | This poster (Left) pays homage to the Fukushima 50 that volunteered their lives to stay behind to control the nuclear reactor. Each hexagonal shape in the Japanese pattern represents one of the Fukushima men. The crane flying up out of the nuclear meltdown represents honour, loyalty and longevity. Honour and loyalty, which was evident by the courage of the volunteers, and longevity as a wish for their safe return and health.
TSUNAMI | This is the second poster (Left) in my Japan Earthquake series. In this design I wanted to pay homage to Mother Nature. As destructive and powerful as the tsunami was, it was still an act of nature that was non-discriminating. If anything, the sheer impact of the earthquake that triggered the tsunami should be a reminder to everyone that unexpected things happen every day. Be prepared for what comes and more importantly maintaining grace under fire, like the Japanese people, when it does.
EARTHQUAKE | This poster (Left) represents the resilience of the Japanese people. The lotus symbolizes birth and rebirth, and the red lotus in particular represents love, compassion and passion (much of which is needed for the people of Japan).
The lotus is a flower that is born from the mud of the earth, fights its way through the depths of the water to bloom into the air and sunlight. This is how I view Japan, as a country that teaches their people to be strong and to endure. This is also what my parents taught me, even though we live an ocean away in Canada.
©2011 DARRYL MOLAND | ALL RIGHTS RESERVED.
Collecting and styling by Darryl Moland,
Poster art (and accompanying text) courtesy of Linda Yuki Nakanishi.
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