magic in the air

IT MAY NOT ALWAYS be readily apparent, but if you squint, blur your eyes and find the space between reality and the magic that is in the very air we breathe during the holidays—if you listen intently—you might even hear the sleigh bells ringing and a distant chuckle. Then you'll know that St. Nicholas will soon be here.

I REMEMBER in decorating the trees of my childhood, the lights were always multicolored then, with some of the bulbs being an unblinking solid color, and some being a translucent color. All of them were blinking on their own independent schedule. This gave the tree an effect of a multicolored sky of bright fireflies. The overall scene was wonderously magical.

WHEN THE TREE was done I would sit on the sofa facing the the "picture window," in front of which the tree stood proudly, for the passersby to see. I would blur my eyes until the lights melded together and formed halos of overlapping color. It was mesmerizing. It was if we had our own blinking constellation of color that bounced off of the ceiling and every reflective surface in the room.

SOME SAY the season is ushered in at the end of the Macy’s Thanksgiving Day Parade by Santa in his sleigh being pulled by eight flying reindeer. That's the way it used to be. These days it starts long before that. But the beginning mark of the holiday season is when the magic of the season lights up a child’s eyes. Whether it be by the lights themselves, glitter everywhere you look, or brightly-hued baubles hanging from the tree's branches; the real focus of the season is where all of that comes together—the tree.

THIS ALTOGETHER DIFFERENT TREE was conceived by good intentions when it was decorated, but it drooped and sagged under the weight of the heavy glittered reindeer heads, metal acanthus leaves and sleigh bells. Even so, Santa was diligent with his reindeer, create their own brand of glittery magic. With its LED lit branches, the tree still provided a measure of warmth for the season that began after Thanksgiving, so the droopy branches didn't seem to matter.

ITS QUIRKY NATURE, I thought, was a welcome relief from a tediously-decorated real tree that was the year before. Not to say they both weren’t beautiful in their own right. Even in my semi-failures, I try to find the beauty, so they’re not really failures at all. I even glittered one of the reindeer’s noses with red glass glitter, to make Rudolf's nose glow. Now he stood out alongside Dasher, Dancer, Prancer, and Vixen . . . and on with, Comet, Cupid, Donner, Blitzen!

THE REINDEER GAMES of the season are your chance to experiment with something new. It’s always enjoyable to look for a uniquely creative way to express the holiday. So with your best conceptual Santa cap on, consider a new way to decorate your tree—even try a new kind of tree. It's always satisfying to find a distinctive way to decorate and stand out from the crowd. Santa might even give you a reward and let you guide his sleigh through the season. And now that you're aligned with Rudolf, you may even go down in history!

©2013 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography and styling by Darryl Moland.
Special thanks to Devin Borden for the location.

two thousand and twelve

It's easy to forget the nuances of years past. The classic New Year's song Auld Lang Syne begins with a rhetorical question as to whether it is right that old times be forgotten. This unique New Year's tree from last year's blog post is a toast to remembering. Take a new look at the old with the spreads for the New Year's story designed for The Decorated Tree book, which can be ordered here. This book will take you on a cathartic journey through the whole year of holidays from Valentine's Day to the next New Year.

AS WE GET OLDER, the years seem to fly by. Friends come and go, but for old times sake, the important events in life are not forgotten. The classic New Year’s song Auld Lang Syne begins with a rhetorical question as to whether it is right that old times be forgotten. It’s up to us to answer the question in the way that works best for us. If it has been a good year, then of course we’ll remember, but if it has been a bad year, we tend to try to forget. Memory serves well to selectively process and store the good times we all cherish.

THERE are MANY exciting things about a new year. It is a time to mix a refreshing drink and reflect on old and new goals alike. Looking back, as one is wont to do at the beginning of the new year, there’s always the practice to resolve to not repeat the mistakes of the past. As for the future, since none of us really knows what is in store, superstitious beliefs abound. Having been raised in the American South, eating collard greens for prosperity and black-eyed peas or Hoppin’ John for luck has always been a part of my New Year’s ritual. Our vision is not always perfectly clear in looking back. We have to “be in the now” to latch onto that elusive moment of clarity. That is a resolution for anyone—to be aware of and in the moment as much as possible when conducting our daily lives.

THIS NEW YEAR’S tree is an elegant and glitzy way of remembering long-standing relationships, welcoming new friends and raising a happy and prosperous toast to whatever lies ahead.

BRING in the NEW | (1st "New Year Glitz" spread from The Decorated Tree book) Bringing in the new doesn’t always mean throwing out the old, but it certainly is necessary to make room for new aspirations.This large mercury glass tree is encircled with a collection of glass beaded snowflakes attached to a garland made of wire and glass beads. Two miniature metal cups and a champagne bottle hang from the antlers of a recycled aluminum deer. The champagne-filled glassesin the foreground are garnished with rosemary sprigs that have been given a sparkle with a coating of egg white and coarse sanding sugar.

TOP SHINE | (2nd "New Year Glitz" spread from The Decorated Tree book) I’ve retrofitted this tree topper with a new typeset and glittered disk of calligraphy. It is surrounded by beautiful glittered metal rays with tinsel woven through them. Glass-beaded snowflake ornaments are attached to a beaded garland encircling a sturdy mercury glass pleated tree. This beautiful reindeer symbolically stands guard and brings in a cup (or two) of good cheer on its antlers. The champagne flutes are garnished with sprigs of sugared rosemary as a symbol of remembering the good times.

©2011 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography, styling and design by Darryl Moland

 

new year glitz

TWO-THOUSAND-ELEVEN  sounds a bit like science fiction. It only seems like a few years ago that I brought in the year 2000 in Minneapolis, Minnesota at a huge, multi-themed night club called appropriately-enough "The Gay 90s," which is still alive and well. How does the time fly by like this? This year, I'll be having a more quiet affair (I'm thinking) at a friend's home. You never know though, how enlivened a party can become once people get enough bubbly in them. I'm planning also on attending a New Year's party tomorrow. It will certainly be more tame if everyone is nursing a hangover from New Year's Eve night. It's always good though to start the new year with friends, no matter if quietly, or with a bang.

IT'S  EASY  TO  FORGET  the nuances of the years that have flown by. Friends come and go, but for old times sake, I don't easily forget the people most important to me—you know who you are. The classic New Year's song Auld Lang Syne begins with a rhetorical question as to whether it is right that old times be forgotten. This New Year's toast and tree is my way of remembering long-standing relationships and wishing all loved ones (including blog followers) a happy and prosperous 2011. 

MY  GOAL  this year is to self-publish a small digitally-produced photo book or magazine with photos of my trees and editorial information about their creation. The plan is to sell it here on the blog and use it to shop my ideas around to real publishers. So, I'll be posting less here and spending more time on that. I've gotten so used to burning it at both ends though, who knows what the new year will bring? I do plan to have posts just as I have surrounding the major holidays.

THAT  IS  the exciting thing about a new year. It is a time to fix yourself a drink and reflect on old and new goals alike. My only definite plan is keeping sight of the end result and keep moving toward it—hoping for the best. I'm not good at wiping the slate clean—I sort of look at what I've collected in life (physical and otherwise) as my palette. The problem is, it is all getting to be an unorganized mess that is harder and harder to move ahead with. So I'm taking a few steps back to refocus and to hopefully be able to take a larger step forward. 

BRING IN THE NEW | (Top) Bringing in the new doesn't always mean throwing out the old, but it certainly is necessary to make room for new aspirations.This large mercury glass tree is encircled with a garland made from my collection of beaded snowflakes attached to a garland made of wire and glass beads from Cost Plus World Market. Two miniature metal cups and a champagne bottle from Crate & Barrel hang from a stately deer's antlers (made from recycled aluminum). The champagne-filled glasses are garnished with rosemary sprigs that I've given a sparkle with a coating of egg white and coarse sanding sugar.

TOP SHINE | (Above) I've retrofitted this tree topper by Seasons of Cannon Falls with a new glittered disk of type of my own design. Surrounded by beautiful glittered and tinseled metal rays, the manufacturer got that part right, but the original type with the clip art champagne glasses (left) was a bit clunky for my taste. I purchased my topper from Bayberry Cove.

SPARKLY SNOWFLAKES | (Above) Part of my fancy collection of glass-beaded snowflake ornaments (mostly made in Czechoslovakia) are assembled together on a garland around a large and sturdy mercury glass pleated tree form (made in India) from Home Goods.
 

GLEAMING NEW | (Above) This beautiful reindeer from Home Goods symbolically stands guard and brings a cup (or two) of good cheer on its antlers. The champagne flutes are garnished with sprigs of sugared rosemary as a symbol of remembering the good times.

OVERVIEW | (Above) Looking from above, it's easy to see the ground—a promise I am making to myself this year to step back so I can see the big picture. The glittery bugle-beaded charger is from Z Gallerie.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED.

Photography, collecting and styling by Darryl Moland

here comes the sun

Here comes the sun, 
here comes the sun, 
and I say it's all right . . .

                 —the Beatles

WINTER  SOLSTICE this year will be marked by a number of simultaneous celestial events. There will be a lot to see in the sky on December 20-21, which will be replete with a full moon, a total lunar eclipse, and the Ursid meteor shower. So it's definitely a time to wish upon a star—I'll start with the brightest and best—the unblinking sun at the center of our solar system.

NOT  SINCE  1638 (372 years ago) have Winter Solstice and a lunar eclipse coincided. The Solstice lunar eclipse will be visible starting in the early-morning hours of December 21st here in the Eastern United States (actually visible late tonight for the Western United States). So, you'll have to be a night owl or an early bird to view it. Visible from four continents, the best views are from North and Central America. It also may be seen in totality from northern and western Europe, some of northeast Asia, Hawaii, and New Zealand.

FROM  BEGINNING  to end, the eclipse will last about three-and-a-half hours. The sight can be spectacular, because refraction of the sun's light by the Earth's atmosphere will color the moon's surface unpredictably (depending on how much dust or the number of clouds in the sky). During past eclipses (see the video of a 2008 eclipse below) the moon has appeared a deep bronze, blood red or even a dark yellow.

WHAT  DO  THESE  celestial events mean in conjunction with Solstice? According to my astrologer friend Cathy Burroughs, this year's Solstice lunar eclipse has the capacity to be "profoundly transformative."  She recommends a reading to help guide you during this time of astrological upheaval and new direction. It certainly can't be a bad idea to get in touch with effects of the more cosmic aspects of the universe by which we are all connected to nature—even if only to view things more philosophically. 

ACCORDING  TO  information Cathy sent me, the Solstice lunar eclipse this year occurs at 29°21' degrees of Gemini with the Sun in Sagittarius, just five degrees from the Galactic Center which speaks of the global impact of its astrological significance on all of us. It is also interesting that aside from being the shortest day and longest night of the year, the sun's daily maximum daily position in the sky is the lowest. And as the days start lengthening and the nights get shorter, interpretation varies from culture to culture, but most hold a recognition of rebirth.

CELEBRATING  such a special Winter Solstice called for decorating my tree with sun ornaments I've collected over the years. Most of these are from the late-eighties and early nineties when all things celestial were all-the-rage in the market. Just as I dug through my past to collect all of these ornaments together again, I'm thinking from what I read and hear that a lot of old stuff will be dredged up by such a strong set of celestial events. After all, the tradition of the decorated tree began in the Old World as a pagan ritual to conjure up the return of the spring sun when the cold and seemingly lifeless winter months began each year. The warmth of spring always followed though, thanks to the sun.

IT  CAN'T  hurt to pay attention to our more humanistic connections with the cosmos and the natural world. The Earth, Moon and Sun influence everything from the birth of babies (more are born during the full moon), to when we plant and nurture our crops, aside from how long our days are throughout the seasons. The transformation marked by this year's coinciding cosmic events signify all that the holiday season is about. From the birth of Jesus as "the reason for the season," for a large part of the world's population, to simply believing in the the promise of the returning light of the sun. We're all connected to nature and the cosmos in the most profound way.

LET THE SUNSHINE IN | (Top) In the cold and sometimes dreary winter months, it certainly helps to think of the sun's warming rays and significance in our Earthly lives, as I have done with this collection of sunny ornaments. I wired fresh balsam fir evergreen branches to conceal a heavy wire tree form and shaped this custom tree that will hold a good number of heavier decorations.

FACING THE SUN | (Above) My widely-varied collection of sun ornaments were the inspiration for this golden tree full of sunny faces.
  

ALL  AGLOW | (Above) A symbolic harbinger of spring is represented by this clip-on bird with a long feather tail. It perches on a branch among a varied collection of ornaments that are direct or indirect reminders of the warmth of the sun.

RAY OF LIGHT | This glittery ornament serves as a spectacular tree topper and evokes the brightest star in our sky—the sun. It could also represent the night star that led the wisemen to Bethlehem.

DOE, A DEER | Alert at the base of the tree among the presents, are two deer purchased this season from Nandina Home & Design in Atlanta. Ornaments included from my collection shown in this photo range from hand made (like one of my favorites—the sculpted sun face surrounded by four metal rays) to a hand blown glass finial and traditional stamped metal, wood and mercury glass ornaments.

TOTAL LUNAR ECLIPSE | (Added December 21, below) A brilliant time lapse of the December 21, 2010 total lunar eclipse illustrates its dramatic presence. I saw it progress until the clouds covered it just before the total eclipse (only a sliver of the moon was lit), so I didn't see the red/orange moon, but there were pinkish clouds in the sky from the refracted light of the sun. This morning's eclipse was brilliantly photographed by William Castleman in Gainesville, Florida. [©2010 by William L. Castleman, 1:10 AM EST (6:10 GMT) to 5:03 AM EST (10:03 GMT). Music is Claude Debussy Noctures: Sirènes]. Double-click on the image below to view widescreen or full screen on the Youtube website.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED.

Photography, collecting and styling by Darryl Moland