east meets Easter

ALTHOUGH THE EASTER holiday is celebrated mainly in the West as a Christian holiday, its message of love is universal. The overarching message of the religious version of the holiday might be summed up with two words: forgiveness and rebirth. 

THE RABBIT is the secular symbol of Easter as a symbol of fertility, as well as eggs. Both symbols date back to pre-13th century Pagan traditions.

CHRISTIAN HOLIDAYS aren't celebrated in the East (unless you're a Christian or simply like the secular aspects of the holiday), but this Japanese magnolia Bonsai tree hung with blue and white china eggs has a decidedly "East meets Easter" feel. Underneath lies a large golden egg for luck and prosperity.

CULTURES ARE FUSING all over the world with the connectedness of modern technology. Indicative of the recognition of the universal truths of love, no matter what their belief system may be, many religions and beliefs have developed a more global world-view. And as we enter into some really significant astrological times with Pluto, Mars, Jupiter and Uranus forming a Cardinal Grand Cross, the apex of which happens on April 23 of this year, there is sure to be a breaking (or turning) point in the way the collective consciousness of the world behaves.

FORGIVENESS is the step we all must take to make room for new love. Although sometimes extremely hard to do sometimes, we must forgive (and sometimes forget) the people who have squandered our love and find a place (or a person) with which it will thrive and prosper. I've been very lucky to have found just such a person and am excited about the quickly unfolding prospects ahead of us!

LOVE is the grandest of all our emotions. It is entirely based on our faith (in any aspect) and being in tune with ourselves and others around us. It can come in the most unexpected of places. And for it to be received fully and without trepidation, our intent has to be pure when asking the universe what to do with it. Being ready to receive this kind of love no less than a spiritual rebirth. And I, for one, am ready!

REBIRTH is a serious matter, even in spiritually metaphorical terms,  as it is a visceral recognition of renewed life. So put on a pair of fuzzy pink bunny ears to bring levity to such a weighty transition. This Easter and the spring days ahead are full  of the promise of an untold life of joy and purpose. The message is there, any way you look at it—religious or secular, north or south, east or west. It's up to you what to do with it. The message, pure and simple, is all about love.

©2014 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography and styling by Darryl Moland.

ageless and evergreen

THE GREEN MAN motif in art and mythology has many variations. It is found in many cultures around the world. Often related to deities of nature, it is most often rendered as a face formed by leafy vegetation. As an ancient Pagan icon, the Green Man is interpreted as a symbol of rebirth, representing the cycle of growth each spring—much like the early decorated evergreen trees came to represent. Some speculate that the mythology of the Green Man developed independently in the traditions of separate ancient cultures and evolved into a wide variety of permutations found throughout the world (from Osiris to Peter Pan, and even an ivy-wreathed Father Christmas, for example). He frequently appears, carved in wood or stone, in churches, chapels, abbeys and cathedrals, where examples can be found dating from the 11th century through to the 20th century. Early Christian missionaries would often accomodate local gods such as the Green Man and adapt them into obscure saints. In any case, the Green Man survives as an ultimate symbol of man's connection to nature, as well as a vital symbol of pre-Christian tradition. 

ORNAMENTS that represent a figure are rarely rooted in something deeper than a cartoon character or something meaningless and cute. When a figural ornament catches my eye, there has to be a personification of something in nature involved—something that has a magical and enduring quality to it—much like the Green Man. I have collected several ornaments over the years that personify the evergreen tree and find them to be one of the purest representations of what the custom means to me. The appearance of the first decorated tree dates back to 15th century Germany or earlier, but didn't appear in America until the 1700's. Even so, the decorated tree didn't catch on in the United States until ornaments were brought here by families immigrating from Germany and England in the 1840's after being popularized by the German Prince Albert and his wife Queen Victoria.

THE FRUIT of evergreen trees is the cone or pod, which contains the seeds. Pine cones were the first  glass ornaments made and are a large part of my collection. One of the most memorable Christmas trees of my childhood was a living white pine tree that our family planted in the corner of my parent's yard at the corner of Abel Street and Highway 278 in Hokes Bluff, Alabama. Before my siblings and I sold the property (a couple of years after our parent's death in 2005), I took pictures of the tree, which must have been at least fifty or sixty feet tall at the time. I also collected the large cones that were scattered across the yard with the intent to make a huge wreath out of them.

THIS TREE (left, middle) must have been my first lesson in how meaningful the evergreen would become to me. I fondly remember my father and I laboriously decorating it with those large multi-colored outdoor lights every year until the tree grew too large to manage such an endeavor and too unsafe for the electrical circuits in our home. The annual Christmas trees at the Rockefeller Center in New York City or at the White House in Washington, D.C. had nothing on us in our corner of Alabama. I would stare out the window at that tree every holiday, even after it wasn't lit—imagining it in its first incarnation as a Christmas tree in our living room. It was a beacon in our community for all the light and love my parents gave to our family and will always live in my memory as an ageless and evergreen feat of magic during the holidays.

TREE PERSONIFIED | The face in the tree (top, right) could be interpreted as Santa (or Father Christmas) as well as the Green Man (right) in this unusual figural tree ornament handcrafted in Poland and purchased from Home Goods (2008). A spriteful wood-nymph-as-tree ornament was purchased in 2008 at Papyrus in Lenox Square Mall, Atlanta (where the Macy's Great Tree is lit every holiday).This pine cone ornament's unique coloration is from raku firing (an ancient Japanese technique), hand-casted by J. Davis Studio and was purchased at Maralyn Wilson Gallery in Birmingham, Alabama in 2005. The wooden box made from a hollowed out limb or trunk (shown supporting the figural ornaments) is from Tozai Home. The lid is made flush from a slice of the trunk or limb and rotates on a hidden screw hinge to one side. A similar box could be crafted from your discarded holiday tree trunk.

©2009 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography and styling by Darryl Moland; green man art from unknown artist

the evergreen (tree)

AFTER ABUSING THEM last winter (ivy winters well in Atlanta, if you keep it watered), I've miraculously saved both of my ivy topiaries. One of them (photo at right) is looking pretty good right now. What were once very lush topiaries several years back, are now much more sparse. I like the sparseness—it's not so predictable—now that the ivy is older and has woody stems. The interlaced stems are beautiful by themselves. I must admit though, my other topiary is formed by mostly stems, but the hardy nature of English ivy has kept a bit of green interspersed. Ivy, like life does have a perniciously tenacious quality, huh? You must keep it watered and nourished and it will grow and fill out around the structure you've provided.

ACCORDING TO THE Topiary Organisation, the topiary is one of the most ancient of garden crafts. According to what I've learned over the years, living evergreen decoration has long been an element in winter solstice (and later, Christmas decorations). Pagan tradition holds the belief that winter evergreens are a promise for another spring—symbolizing life's continuity. Evergreen decorations became ritualized at temples and even inside the home in winter celebrations because of the promise of new life. This symbology became Christianized (even though the early Christian church banned the use of evergreens because of its pagan associations). We all know now that the evergreen has developed into the holiday (or Christmas) tree and is an everlasting symbol of hope and merriment for most of the world. Whatever your belief, there is definitely an underlying reason for the hold it has on our imaginations.

IVY HAS LONG BEEN a symbol of love and fidelity, but the reverence to nature is important to me in any case. It's indisputable that the evergreen tree is resonant with many of the world's people. My evergreen topiary trees are symbols in a satisfyingly austere way, and I'm happy I can keep them alive!

"When you create within a sacred paradigm, you find a strange thing.

You are communicating with, and being fed by, sources you know are within you,
but have a much greater reflection somewhere else.

You are in touch with something timeless.” —playwright Elizabeth Fuller

©2009 DARRYL MOLAND | ALL RIGHTS RESERVED
photography and styling by Darryl Moland

TENACIOUS TOPIARY | One of the survivors outside my door (above).

PEACE SYMBOL | The dove topiary 
at Forest Hills Cemetery in Boston (left).