seeds of the trees

C O N I F E R S   are by definition cone bearers. The seed-bearing "fruit" of pines, firs, cypress and yew (according to some) is the inspiration for some of the first molded glass ornaments made in Germany. Pinecones were believed to be symbols of motherhood and fertility, so were given to brides and grooms to hang on their first holiday tree together. As for my increasingly fertile ornament collection, if I were organized enough to have it catalogued, I'm sure the largest bulk of it is glass cones in as many shapes and sizes as you can imagine. Some are pictured (at right and below) and others are pictured on a tree in a previous post.

A S   P I N E C O N E S   are naturally beautiful by themselves and dry wonderfully, they are brought inside used as decor (or kindling) in many homes. Painted, glittered and coaxed into wreaths, garlands and even boutonnieres, they have endless decorative appeal. The Southern Longleaf Pine is the official tree of the state of Alabama where I was raised. There, in my earlier years, I've mowed over pinecones when cutting the grass or painfully stepped on them when running around barefoot in the summer. Even so, I've always had an affinity for their natural beauty. And attracted to glittery things early on, I remember a ribboned and glittered pinecone doorknob hanger (not unlike this one) my mother would hang on the inside knob of the front door every holiday season.

B O T A N I C A L L Y,  conifers are non-flowering plants (gymnosperms). Pollinated by the wind, their seeds are not enclosed within a fruit or seed pod. It wasn't until later in the evolution of plants that flowering trees (angiosperms) evolved. Female cones open up to catch the pollen from male cones. The usually flat, papery seeds that develop  fall out of the open cone when it matures and dries out. The cones can be soft and small, like juniper "berries" or as large as ten to twenty inches long such as those of the Sugar Pine.

L A S T   W E E K, Jon surprised me with a new book named Lives of the Trees. Diana Wells, the author has written An Uncommon History of 100 trees. You can listen to an NPR interview with the author here. The publisher (Algonquin Books of Chapel Hill) states: 

"as she investigates the names and meanings of trees, telling their legends and lore, she reminds us of just how innately bound we are to these protectors of our planet. Since the human race began, we have depended on them for food, shade, shelter and fuel, not to mention furniture, musical instruments, medicine, utensils and more.

Wells has a remarkable ability to dig up the curious and the captivating: At one time, a worm found in a hazelnut prognosticated ill fortune. Rowan trees were planted in churchyards to prevent the dead from rising from their graves. Greek arrows were soaked in deadly yew, and Shakespeare's witches in Macbeth used Gall of goat and slips of Yew to make their lethal brew. One bristlecone pine, at about 4,700 years old, is thought to be the oldest living plant on earth. All this and more can be found in the [book's] beautifully illustrated pages (themselves born of birch bark)."

E N D L E S S L Y   fascinating and rich with lore and legend, it's hard to see running out of subject matter for The Decorated Tree (of Life)! The connection we all have to trees is as deeply-rooted in our collective psyche as the trees are to the ground on which we walk. The ritual of decorating them to celebrate almost any occasion is just as resonant, whether it be a Christmas tree; a bride's favor tree; or as I'm planning in time for February 14th, a Valentine cookie tree (look for it here).

CONE COMPOSITION | (Above, right): Easily the largest part of my ever-growing ornament collection is comprised of glass cones such as these. (From top to bottom), a silver and white cone from the Martha Stewart Collection (2009) for Macy's, an elongated bronze Republic of Czechoslovakia cone from Department 56, a chunky rounded bronze cone from the Martha Stewart Collection (2009) for Macy's, a green Czechoslovakian cone from Cost Plus World Market, and a Waterford Holiday Heirlooms cone. The cones are composed on a piece of tree bark Jon found while walking his dogs, which he saved for me to use as a photography prop. 

BOOK OF TREES | (Above, left): Lives of the Trees by Diana Wells is quite an interesting and rich reference for 100 types of trees, from the Acacia to the Yew. It is published by Algonquin Books of Chapel Hill, a division of Workman Publishing. Three of the largest cones are Polish-made ornaments. The small green cone with a blown glass loop is from the Martha Stewart Collection (2007) for Macy's. Others are unidentified from my collection, both new and antique. All is contained in a live edge mango wood bowl from Target. 

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED 

collecting, photography and styling by Darryl Moland

reaching for the stars

R A R E L Y,  D O  W E  get a good look at the stars anymore. The ambient light created by civilization drowns them out and dims the majesty of the universe of which we're only an infinitesimal part. Living in the city, it has been a good while since I was somewhere remote enough to look up at the night sky and see the humbling visual magic of the stars. It's no wonder that we wish upon them and they figure prominently in tree decorations. Legend has it that the initiator of the Protestant Reformation, Martin Luther was inspired, on a late walk home, to first light an evergreen with candles to illustrate to his family the twinkling of stars he saw through the fir trees.

C  I T Y - D W E L L E R S  like myself have to look to the twinkling cityscape before us to get even a semblance of the unfettered view of the cosmos. Somehow, I think the separation from such an awesome spectacle has a numbing effect on our humanity — blinded by the light, indeed. If we all could be alone with a clear view of the stars for even a few hours a week, it might give us the humbling perspective to realize our place in our tiny part of the universe. The nighttime counterpart to the healing powers  of the sun, it does make one wonder why we forget to seek a regular dose of the night sky. 

I N   R E A C H I N G  for the stars, we build our cities with taller and taller skyscrapers. And through the ambient light that surround them, block the view of the stars in the sky. The recently-opened Burg Kalifa in Dubai (an insanely futuristic-looking city) currently holds the record as the "tallest building in the world." It is a quite spectacular building architecturally. And being ever - cognisant of all things "decorated tree," I couldn't help but notice the building's resemblance to a giant holiday tree during parts of the fireworks show  surrounding it during its opening on January 4th. And I have to wonder if in the construction of the building, the builders had a topping out ceremony. Placing an evergreen tree or assemblage upon the last beam at the top of the structure upon its completion is an age-old building custom to symbolize growth and bring luck. That would be quite an awesome spot to decorate a tree (at 2,625 feet)!

I N  W I S H I N G  upon the stars, they play tricks with our vision. It's almost impossible not to think of the utopian Disney song "When You Wish Upon a Star." Reading the the lyrics goes right to the heart of why we all dream bigger and bigger: 

When you wish upon a star 

Makes no difference who you are
Anything your heart desires
Will come to you

If your heart is in your dream
No request is too extreme
When you wish upon a star
As dreamers do

Fate is kind
She brings to those who love
The sweet fulfillment of
Their secret longing

Like a bolt out of the blue
Fate steps in and sees you through
When you wish upon a star
Your dreams come true

STAR CONSTRUCTIONS | (Above, right) I've collected these three-dimensional laser-cut star ornaments in the last few years. Although amazing constructions in themselves, they're nothing like the newest "tallest building in the world", Burg Kalifa, which opened this month in Dubai, United Arab Emirates.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED 

photo (top, right): collecting, photography and styling by Darryl Moland

tree of souls, tree of life

TREES  are symbols of life in the most profound ways. After all, they are the oldest living things on Earth. I was struck by the importance that a single tree in the movie Avatar took — The Tree of Souls. The movie could have been pure poetry. Visually it was astounding, but the dialog was cringe-worthy more often than not. Ultimately, it's one of those movies that sets a precedent for many new things to come in the movie-making industry. I've never seen a more flat-out, unapologetic and ecologically reverent/ anti-war movie. The most basic concept of the movie is about the struggle of our physical selves with the divine. It's definitely a movie to see, but don't strain too hard to listen. The symbolism is quite profound if you let your mind wander with the visual aspects and broader concepts of the movie without listening to some of the inane chatter.

THE   TREE   OF   SOULS, which grows as the alien Na'vi's sacred space in the movie Avatar, represents the eternal, where The Home Tree (symbolizing the Tree of Life) represents the temporal. The temporal things that are usually seen, and the eternal things that are not seen are pushed out-of-the-box in this movie. The movie's sacred Tree of Souls with it's willow-like luminescent strands allow the Na'vi to "link" by actual physical connection with their ancestral souls through "mother nature" represented by the tree. The Home Tree is just that — a home for an entire clan. Pandora, where the movie takes place, is a lush, Earth-like, moon of the planet Polyphemus.

IT'S   OBVIOUS  that the name of the moon is taken from the name of an ancient Greek goddess — the first mortal woman, Pandora. She was given something by each of the gods in Greek mythology including the well-known box she was told not to open. Of course Pandora's curiosity got the best of her and she opened the box, releasing all the evil and mistrust of the world. When Pandora looked at the bottom of the box, all she saw left was hope. Maybe this movie signals a shift from patriarchy back to matriarchy by its focus on a tree. Mother nature and war surely don't benefit from each other. There's definite hope in that concept.

THE   TREE   OF   LIFE  is a widely-interpreted metaphor used in science, religion, mythology and philosophy that illustrates that all life on earth is related. To me, the souls of trees resonate throughout nature and give a sense of life to many things, providing food and shelter, both physically and metaphorically. No one can dispute how important they are to all of us. Our place as a part of nature depends on this reverence. 

TREE ORNAMENTS | (Above, right) A delicate iridescent-glittered tree on a large clear glass globe contrasts with an extremely rare German ornament, known as a "Julekugle" made previous to WWII. Julekugles were decorated with Teutonic runes or symbols. This particular Julekugle has two different sides.The side pictured above is an apple tree, the symbol of life. The other side (at right) is a shield with a sun in the center as a symbol of the universe (or Eye of God). After 1942, recommendations made by the Nazi party regarding tree decorations used these Julekugles because they were symbols of Germanic ideology. Of course, all references to God were deleted. This is a piece of history that is rarely spoken about.

AVATAR | (Above, left) In a still from the movie Avatar, the two main characters (from left) Jake Sully (in his Avatar body) played by Sam Worthington and Neytiri, a native inhabitant of Pandora, played by Zoë Saldana.

TREE OF LIFE | (Left) This painting is one of the most beautiful representations of the tree of life I've seen. It combines an organic tree along with the mystical geometry of the Tree of Life. Painted in 2008 by Richard Quinn in Berkely, California, a print of this painting can be purchased here. The artist's statement about this painting says it best:

The Tree of Life is a mystical diagram representing the process by which the universe was created from nothing and a path back to the creator. It comes from the Kabbalah of esoteric Judaism. The Kabbalist seeks to know the universe and himself as the expression of God. 

I have incorporated this spiritual symbol into a living tree. Ten Sephiroths, here represented as spheres, express aspects of the Divine, such as The Divine Crown, Wisdom, Mercy, Justice, Beauty, Glory and Eternity. Also present in the symbol are 22 Paths or Relationships linking the various Names of the Divine.

The initiation of the Creation is at the top and flows through the various Sephiroths down into the condensing of the physical universe. It is then thought that the Divine energy reverses course and begins the ascent up the Tree to the origin from whence it sprang. Each Sphere or Sephiroth is associated with a particular color representing its energy or quality.

I believe the “Tree of Life” is one among a number of inspired attempts to express the profound mysteries that are inherent in the quest to gain insight into the nature of the origins of the Universe and ourselves and perhaps the much more daunting task – the nature of the Creator that brought into being such a Creation.  

—©2008 Richard Quinn

Tree of Life painting by Richard Quinn

 Avatar movie still distributed by 20th-Century Fox 

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED 

ornament photos: collecting, photography and styling by Darryl Moland

 

hindsight is twenty-"ten"

LOOKING BACK as one is wont to do at the beginning of the first decade of the second millennium, it's always the practice to resolve to not make mistakes of the past. As for the future though, superstitious beliefs abound. In the American South, eating collard greens for prosperity and black-eyed peas or Hoppin' John for luck is part of the New Year's ritual. I had some of each, although on New Year's Eve at an early dinner at the Collonade. Maybe by doing that, it only helped me through the last few hours of 2009. It has not been an especially easy year for anyone (that I know, at least). Our vision is not always perfectly clear in looking back. We have to "be in the now" to really find that elusive moment of clarity. That is a resolution for anyone—to be aware of and in the moment when conducting daily life.

IT WAS THE SECOND year that I've adopted the Spanish tradition of consuming “las doce uvas de la suerte” (or the 12 grapes of luck) at the turn of the clock at midnight, along with a glass of bubbly (or wine, as we did this year). Each grape represents a month in the new year—some sour, some sweet—as I'm sure they will be. We're ushering in a new decade and have that chance again to make this the decade known for something. I'm not sure what label we'll stick on the decade that began with a two and three zeros. With the word "Twitter" being the top word of 2009 (in the English language at least), I wonder if anyone can sum up the decade in 140 characters? It has been quite a time of upheaval and limbo in many ways. 

IT'S NOT ALWAYS what we say but what we do. The following quote from one of the most notorious people in the last decade really sums up what unsettling and contemptuous rhetoric the decade has brought:

"As we know, there are known knowns. There are things we know we know. We also know there are known unknowns. That is to say, we know they're some things we do not know. But there're also unknown unknowns; the ones we don't know we don't know."

Did you get that? That quote was from U.S. Defense Secretary Donald Rumsfeld on February 12, 2002. No matter whether it effectively explained why the U.S. government had no idea what it was doing by invaded Iraq—in taking it out of context it points not so succinctly to many unsure missteps we have made collectively. 

ALL I CAN SAY is that I still believe in and wish for peace in the world. As time continues to tick away, the planet is getting smaller every day technologically and the people of the world are understaning and reasoning with each other in more civilized and succinct ways.

HATS OFF | Toasting 2010, Jon and I had a glass of wine with a skewer of 12 grapes, representing each month of the year—a Spanish tradition (above, right). The 2009 top hat ornament is from Martha Stewart Everyday Modern Celebration line at Kmart. The 2010 headband is from Target. 

TIME FOR PEACE | A delicate hourglass from Target (above, left) sits next to a past season's top-hatted Dee Foust licensed snowman figure produced by Bethany Lowe Designs that resembles an iconic New Year's image. It all overlooks a mercury glass globe ornament from my personal collection atop a glass-glittered peace sign ornament from Pottery Barn.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED 

collecting, photography and styling by Darryl Moland

REAR VIEW | This surrealist image (above) of an uprooted fir tree as car air freshener was found on a Catalonian blogger's site that commented on my blog this past August from French photographer Cédric Delsaux. I'm sharing the smile of irony it gave me. Hindsight is not unlike a rear-view mirror.

oh, tannenbaum

CHRISTMAS IS always full of wonder and surprise. Even in an age of crass commercialism, it is a time when people go out of their way to connect in a human way. In my Christmas card mail, I got an incredibly beautiful letterpress card (shown above, but you have to feel it to really appreciate its beauty) this year from Mohawk Fine Papers, one of my favorite paper companies. It was printed by Dauphine Press in Petaluma, California. The image on the front of the card is a tree made up of trees! It couldn't be more perfect for a tree-hugger like me! Letterpress has a beautiful indented texture. The process is an old form of printing that involves raised type that is pressed into the surface of the paper on heavy antique printing presses. Handset lead and wood type as well as metal printing plates are used to produce this painstaking printing process— true craftsmanship! Graphic designer Trish Kinsella started Dauphine Press in 1999. She relates on the company's website, "I wanted to be a part of bringing letterpress printing back into the American vernacular."

THE   SENTIMENT inside the Mohawk card says "in your honor a tree is being planted in a National Forest." On the back it says "This gift will make a lasting difference. Your tree is being planted so that our National Forests can be restored to their full grandeur…making them once again a place for inspiration for all who pass through, and a sanctuary for wild things of beauty and grace." It goes on with a link to the Arbor Day Foundation web page to learn more about the importance of replanting our National Forests and how you can help. I urge you to visit the site and take action.

THIS CARD really "wowed" me because it is rare that you see such attention to detail in correspondence these days except for wedding invitations and such. Paper companies always create the ultimate printed samples because it's their stock-in-trade. The internet has supplanted the written word in so many ways. Magazines and publishing companies are having crisis moments in keeping afloat. As a graphic designer, I remember really being resistant in embracing the computer for design because it was the first indicator that the tactile quality of my profession was going to disappear. I didn't realize then the far-reaching implications of that first loss of human touch. Although I love my Macintosh computer and couldn't imagine doing work without it, there's still something to be said for the human touch in experiencing a printed product. I for one, can't imagine reading a book on a Kindle. I love ink and paper too much. Hands holding a book or magazine and turning pages are part of the whole ritual!

THAT SAID, small stationery companies are popping up everywhere and bringing a revival to customized and civilized correspondence as it used to be. My good friend Gia Graham runs just such a company called Betsy White Stationery Boutique (a detail of one of her invitations using a tree image is at left). The company was started under another name by Gia and my cousin Angela Moland-Barnes (who has now moved onto a position at a local design firm). Much thanks to Gia of Betsy White (in Atlanta) and graphic designer Amanda Fuller (in Sydney, Australia) for featuring my trees on their blogs: Flights of Fancy and Calico & Co., respectively. That's just about as nice as a letterpress card!

IT'S RARE to see anything that is engraved or printed letterpress (or has the graphic quality of it) because it became one of the "lost arts" with the technological advances of more automated printing. I'm glad to see attention to detail and craft of printing being brought back to the forefront again. One of the oldest working letterpress shops in America, Hatch Show Print in Nashville Tennessee says it best on their site: "We are, indeed, a tonic for the information age." 

STARTING WITH one printing press and a cabinet of type in 1994 Hammerpress, a homegrown letterpress company founded in Kansas City by artist Brady Vest has grown to a handful of employees, several very heavy antique printing presses and tons of type. Their work is a self-described as "superfine letterpress ephemera" and is just another great example of  the craft of printing. They were featured in Martha Stewart Weddings magazine in the Fall of 2009. One of their wedding invitations was chosen to exemplify “Vintage Cool.” Drawing inspiration from old carnival broadsides, the invite used painstakingly handset wood and lead type with type ornaments.

IT'S NO MISTAKE that paper is made from trees because trees speak to all of us in a visceral way. Paper companies are finally being more responsible to the environment, especially Mohawk Fine Papers. I'll cherish my letterpress tree card from Mohawk and think of the tree contribution made to our National Forests, updating here when I find out who printed it for them. Their card was much more than a greeting.  

CHRISTMAS DAY is here, and the holiday season is winding down. I wish all of my friends and blog readers an abundance of the human touch and the best of the season. The element of touch is what connects us and heals our souls. Personalized "snail-mail" correspondence goes a long way to that end. 

LETTERPRESS TOUCH | This corporate holiday card from Mohawk Fine Papers (above, right) expressed an unusually profound sentiment with the gift of a tree to our National Forests in each receiver's name. 

LOVE LOGO #14 | Betsy White Stationery Boutique sells this beautiful invitation (above, left) using tree artwork to great effect. 

BARN SWALLOW ORNAMENT | These unique die cut barn swallow ornaments (bottom, right and under "ornament obsessions" on the left-hand column of this blog) are printed on recycled chipboard and come in a set of nine along with red and white baker’s twine for hanging. By (and available at) Hammerpress.net. 

©2009 DARRYL MOLAND | ALL RIGHTS RESERVED

winter wish

MY WISH is simply for love and light for all that I encounter. As just a moment in time, Winter Solstice will start specifically today at 12:47pm Eastern Standard Time. This occasion always marks the shortest day and the longest night of the year. The Earth's axial tilt is farthest away from the sun, and this signals the beginning shift to longer days and shorter nights. Also called Yule, it is a celebration of rebirth. Let's hope this coming year gives us plenty of the warmth and brightness that light brings to all things. It's not such a simple concept when you consider the implications. All too-often we forget to live fully in the moment.

MY TREE this year celebrates winter in all it's icy glory. As much as I dislike cold weather, I realize it's a chance for us all to reflect on what the warmth of the sun brings us. It has been an especially rainy season in Atlanta, and as I write this, the sun is shining brightly outside for the first time in days. My kitty Luci is sitting on her cat bed in the warmth of the sunlight streaming through the window. Our Pagan ancestry believed in the mystery and magic of light and darkness and celebrated the seemingly miraculous return of the light at Winter Solstice. No matter whether you subscribe to this system or not, it's the reason for the Christmas tree. And it's hard to deny that we don't all welcome our place in the sun.

LIGHT AND MAGIC | This year's Alpine-shaped tinsel tree (above, right) is from Urban Outfitters. I removed the tinsel wrapped trunk and glittered it with silver German glass glitter along with a turned-wood base to glam it up a bit. Tediously careful shaping of a wire tinsel tree like this is of utmost importance in the final look of the tree.The icicle theme was inspired by a wintry icicle tree I saw in Martha Stewart Living magazine this year, although very differently conceived (it is made up of acrylic rods).

THREE WISHES | These three mercury glass birds (above, left) represent the two people mentioned above and my cat Luci, who are all suffering with cancer. It is my wish that their pain is short and they continue to live as long as possible with dignity and grace.
By Smith and Hawken for Target. 

IN THIS TIME of  reflection, I want to send all the good energy and light I can conjure to two people in my life and to Luci, my cat, who are all three suffering with cancer. My Aunt Wilma has just learned that hers has spread, my good friend Janice Fletcher-White's sister Debbie Noel is sick, and my cat Luci is in her last days as the cancer takes hold. I don't know how much longer any of them will be in my life, but I wish that their suffering with such an insidious disease is as minimal as can be, whatever that might mean. Life is as ephemeral as the light and I'm thankful for all the people and creatures that have and continue to bring love and light to my life. You know who you are. Because of this, I know that the light will return, both physically and metaphorically, no matter what happens.

AS THE YEAR  comes to an end, this simple wish is the hope of the season. And I want to thank all of my friends and followers on this blog and wish them all the season's best. Since this past August, what I've brought to you in my blog has been a labor of love and a way to express my passion for the beauty of life. Spring will come to all of us again after our time with winter. There are lessons even in the darkest hours.

RAYS OF LIGHT | This gorgeous glass-beaded starburst tree topper (left) couldn't be more perfect to guide the light of the season. From Pottery Barn and available in the Atlanta Lenox Square store (the world's largest).

REINDEER PLAY | This glittered reindeer from Target prances among the packages. 

FATHER CHRISTMAS | The elongated form of this Father Christmas from a past season's Martha Stewart Collection at Macy's holds its own among the varied collection of icicle ornaments.

ICE AND SNOW | The large frosted white glass icicle is from the former Martha by Mail catalog. The white snowy owl keeping watch is from a past season's line at West Elm.

©2009 DARRYL MOLAND | ALL RIGHTS RESERVED,
collecting and styling by Darryl Moland,
tree photographed by Harold Daniels Studio / assisted by Shawn May

all other photographs by Darryl Moland
 

tree of dreams

THE HOLIDAYS are a time for family, no matter what form that concept may take—friends, partners, spouses, pets, siblings, sons, daughters, nieces, nephews, grandchildren . . . or some combination of all of the above. But it's our mother that brings us the most profound connection to nature by her very essence as bearer of new life. We are all a part of them as much as they are part of us. My mother richly infused my memories of the holiday by encouraging me each year to use my creativity in decorating our family tree. Since there were ten years between my next oldest brother Mal and I, there was enough room for me to do so. My brothers were both jocks and not really interested in such things anyway. And my sister had already found her own life. We all had a hand in it when I was younger, but after a point, it became my own canvas—to sometimes dismal effect (like the tree limited to an all-white color scheme with homemade paper doily fans, which looked quite funereal). My mother provided all the room she could have to let me experiment by allowing me to buy ornament kits and letting me use my imagination in configuring the tree with the ornaments we had and the new ones I created. I always took this challenge with great glee and was successful more times than not.

THIS TREE of silver and pink was inspired by a dream I had of her. Shortly after her death, I dreamt about her finding a Christmas present from me­—a pink and silver rhinestone brooch. Though she never received it physically, this tree is an offering to her spirit. It was as if, in order to celebrate her life, I was now charged to keep the flame of creativity she helped spark in me. Her mischievous exuberance is captured by the varied animals (a giraffe, birds, a Christmas spider, and even a mouse) combined with sparkly baubles, flowers, leaves and stars; all evoking the brilliance of the brooch gift I had for her in the dream. Friends tell me that this photograph looks like an altar, and it is, of sorts. Every tree should garner such a response. There should be a light within it, even if it isn't illuminated with actual lights. My coworker Dan told me the tree I put up at work this year didn't need lights because it had a sparkle all-it's-own.The light and magic of a well-decorated tree is evocative of the historical and natural context of our collective memories and should speak to that sense of wonder, whether directly personal or a homage to generational history.

MY PARENTS instilled in me this sense of wonder during the holiday. I carry this with me and am sharing it here—creating a testament to their spirit. Plenty of holiday trees I see each year have become overwrought with elements that have little meaning or relevance to the time-honored traditions of the decorated tree, but my intent is to bring it all back in focus, by giving historical context as to why certain decorations and themes are more richly relevant than others. It really all depends on what is important to you and your family of choice—the spirit of Christmas is ultimately for the kid in all of us—and it's easy to find a pure sense of self when you're decorating with something in mind to honor—not unlike an altar to your memories of the people with which you share or have shared your life.

INSPIRATION  for a tree can take many forms. I probably take that more seriously than most people do because I've continued to grow and nurture the seeds my mother planted in me years ago. All the trees I've created in my lifetime hold memories of places I've been, people I've known and people I cherish with associations I've made in my collecting wherever I go. And nature is the base source of this inspiration. You can find incredible color schemes within one seashell or the pinks and grays of a winter sky after a freshly-fallen snow. There's nothing more magical than towering evergreens covered in snow—the sparkle and texture found in such a scene is awe-inspiring in its unadorned simplicity—sweet dreams are made of this. Embellishing those dreams and making them into reality are the stuff of wonder and surprise. 

PRETTY IN PINK | My mother's "signature" color was pink, so this tree (above, right) serves her memory well (as well as my dream of my gift to her of a pink-and-silver brooch). The seemingly random mix of ornaments are tied together only by color and my interpretation of my mother's creative spirit. They all represent some aspect of her exuberant, sometimes loud, always unique and endearing personality. The ornaments are from my own private collection of antique ornaments and newer baubles—from sources far-and-wide: Target once had an incredible line of ornaments designed by Thomas O'Brien (the tree topper and silvery-blue ornaments), the pink and silver tinsel tree and mouse ornament are from the now defunct Martha by Mail catalog. This "altar" to her memory is flanked by two mercury glass candlesticks with flames softly framed by vintage-style bottle brush wreaths. 

MOTHER'S CHILDREN | That's me on the far left (above, left) looking off into the trees even then, at only three years old.The photo was taken on a 1964 summer vacation by my father: My brother Ronald stands ever-stoically in the background, my sister Donna pensively holds me safe, and my brother Mal stands smiling to the left of my mother—the best mother anyone could have—in her boldly-striped dress. Here we are a few years ago (left) in the same configuration sans our mother (made not long after both parents died in 2005). 

NATURAL MAGIC | This sepia-toned grouping of evergreen trees (above, right) covered in snow form an iconic and magical silhouette against a wintry sky—a sight rarely seen in the American South where I was reared. I haven't lived farther north than Atlanta, where I now reside. A significant snow is a rare occurrence in the winters here.

©2009 DARRYL MOLAND | ALL RIGHTS RESERVED,

collecting and styling by Darryl Moland, 

photography (Top—Pretty in Pink) Claudia Lopez, 

(Above—Natural Magic) iStock Photo.com