woodland lessons two: a tale in two parts

WHAT MORE could there be to the history behind the decorated tree? What's the real significance of the custom of putting presents under an evergreen brought inside the home? How could reindeer fly and help Santa spread the good cheer? There are certainly a lot of customs surrounding the literal or metaphorical birth of Christ that are just accepted without question. I will give a little insight into some of the origins. 

NO  ONE  knows all the answers, but the more I read about the lore surrounding the Christmas holiday, the more interesting and resonant it seems to be. The associations with the religions of the world find their origins in the ancient shamanistic cultures predating Christendom. The best way to tame and convert "the heathens" was to adopt the customs of the Old World, forgetting that one day, the dots could be connected in the New World.

WHAT  IS  FOUND in nature inspired it all. The natural world holds the key. There is no denying, even though we sometimes think we have subverted it, we're finding more and more that we are integrally tied to Mother Nature. And in such profound ways that we can no longer ignore our place within its carefully balanced and sustainable systems. Mushrooms and their life systems are a huge part of this.

MUSHROOMS  have long been associated with the evergreen tree, being the literal presents found under it. The truly special ones can be found growing in symbiosis under arboreal trees such as pine, fir, or sometimes larch or birch. In Christmas ornament history and more and more in present day as we rediscover our holiday roots, you'll find red-capped mushroom ornaments dotted with white spots. They are also the mushrooms seen in fairy tales such as Alice in Wonderland. Such ornaments are representations of the lucky magic mushrooms called Amanita muscaria. Muscimol, the hallucinogenic component in dried Amanita muscaria (the raw ones are poisonous) is how the shamans of ancient cultures found "flight." The broadened spacial perception under their influence led them to think of the cosmic guidance while being pulled high above the world in their sleds by mushroom-eating flying reindeer was their contact with the collective consciousness of souls—their God—their point of contact with the gods and the dead. The ancient cultures and shamans of the world used this mushroom manna to help manipulate and open the mind, carefully protecting the wisdom found through their experiences of expanded perception to the masses, making them sacred individuals, which in turn gave the newer religions ground to convert the masses. The later symbolic gestures in religion leave out the actual element of nature.

ALL  OF  THE  associations of present-day customs surrounding the Christmas holiday with the ancient practices are interesting indeed—especially with logic defying mushrooms and the resulting broadening perception of the natural world and how humans first connected to the "Gods." For this alone, they truly are magic.

AS  A  MUSICAL  accompaniment to this post, I can't think of a better angelic voice to bring the old songs of the holidays new life, as is my mission with this blog to bring resonance and meaning back to the old customs of the holidays throughout the ages and in turn, asking questions about the origins of our current-day customs. Annie Lennox has always been one to bring a modern perspective to the old sounds that resonate with all of us. In this new album titled "A Christmas Cornucopia," a new song, titled "Universal Child" precedes the album made up of it and 11 traditional Christmas songs. She says (and I paraphrase her) "that while recording the album, I realized the songs have layers of meaning that are not necessarily only about the Christian interpretation. You can listen to the songs and hear the religious significance, but underneath it all, there is simply a humanistic message." I anxiously await this album as Annie Lennox is one of my favorite recording artists. The album will be released globally on November 15th, 2010. Watch this amazing video of "God Rest Ye Merry Gentlemen" here which bridges the origins of the holiday to modern celebrations.

MODERN MUSHROOM | (Top) Although this stylized shroom is not the traditional red and white lucky Christmas mushroom ornament, this spotted version from my collection has a personality all its own.The Amanita muscaria is a real mushroom (seen at right), not just the quintessential fairy tale toadstool. Poisonous in it's raw form, it takes a practiced individual (like someone who meditates or is attuned to more mindful traits) to discover any mind expansion in its psychoactive use (from what I've read).

SNAIL FOOD | (Above, center) Snails and worms hasten the return of the quick life of mushrooms back to the earth. During a woodland outing in north Georgia about a year ago, I found a wide array of mushrooms, picking up this snail along the way which posed perfectly for this shot. I haven't identified any of the mushrooms found, but plan to and I'll update my post when I do.

NATURAL COLLAGE | (Above, bottom) A beautiful assemblage of mushrooms I photographed on warm-hued pieces of scrapbook paper just after my lucky morning outing in the woods gathering them. These are the inspiration for the color scheme of the woodland tree. Once I identify the types of mushrooms, I will update my findings. (Below) The gills on the undersides of the mushroom caps create a beautiful textural study and illustrate the complex mystery of their short lives.
 

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED, collecting and styling by Darryl Moland, photography by Harold Daniels Studio / assisted by Shawn May. Mushroom collecting, photography and styling by Darryl Moland.

woodland lessons one: a tale in two parts

Most wild oak trees are planted by jays or squirrels, which relish the acorns but bury a lot for future use and then forget to retrieve some of them. —from the book Lives of the Trees: An Uncommon History by Diana Wells.

IT  DOES  SEEM  I've buried more than my share of metaphorical acorns during my life. Just like the jays and squirrels, when I encounter an abundance, I instinctively want to save the stuff I relish for the future. As an outcome, a seedling could be born, which would grow into a mighty (metaphorical) oak—or it could just return to the earth to nourish the soil in which future seedlings will grow. It all depends on the conditions surrounding it. Will there be enough sunlight? Will there be the right amount of moisture? Will it be buried too deep or at just the right level? The most important questions to ask are: Did I put it in the right place for all this to happen?— or even—Will I remember where I put it? Both beg the question—Have I saved it for good use in the future, or just left it all  to chance? So many questions, dependent on both hunger and memory—really the crux of this blog!

THIS  IS  the first part of a two-part post about acorns and mushrooms and the lessons we can learn from such seemingly disparate forms of life. The tree I've created celebrates the abundance autumn brings with mostly acorn and mushroom ornaments representing the grand cycle of things. I'm focusing on acorns (and thus the oak tree) in this post, mushrooms in the next.

ACCORDING  TO  Diana Wells in the aforementioned book, "the eighth century Benedictine Monk Boniface was sent by Pope Gregory II as a missionary to Germany, where he found an obstinate group of pagans worshipping an oak tree. Boniface ordered that the tree be cut down. While the worshippers were helplessly watching, a supernatural blast of wind arose, ripping off the top of the oak, which crashed down, splitting into four equal parts when it struck the ground. The pagans, satisfactorily for Boniface, interpreted these four parts as a sign of the crucifix, manifesting the power of Christianity. After the pagans were converted, the oak wood was used to build an oratory dedicated to St. Peter. Boniface himself was murdered, in 754 AD, by another group of potential converts. He was later sanctified."

BONIFACE  BECAME  the patron saint of Germany and one legend credits him with the invention of the Christmas tree. The Oak of Thor was the tree chopped down by Boniface in the stage-managed confrontation with the pagans. A fir tree growing from the roots of the Oak he claimed as a new symbol of Christian life. I prefer the much more romantic story behind Martin Luther's credit as the innovator behind the Christmas tree. No matter how or what you believe, the power and popularity of the decorated tree in our life rituals has an incontestable magical power over people from all walks of life. Maybe it's only because we're all drawn to shiny, sparkly things, but I believe it is much more than that.

SYMBOLIC HARVEST | (Above) This All Season Tan Feather Tree is available at Bayberry Cove from Bethany Lowe Designs. It is decorated with acorns, mushroom, nuts and antique ornaments from my collection. At the base, the Victorian tradition of a picket fence surrounding the tree is a great way of finishing the display. The table holding it all is the Charlotte Bedside Table from Pottery Barn.

ACORN GATHERING | (Above right and at left) This acorn kugel hanging from the drawer pull makes a beautiful focal point at the base of this tableau. The elongated Czechoslovakian acorn ornament is from a favorite set purchased from the now defunct Martha by Mail catalog.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED, collecting and styling by Darryl Moland, photography by Harold Daniels Studio / assisted by Shawn May.

twilight moon

THE  YEAR  I was born (1961), the song "Moon River" won the Academy Award for Best Original Song. It was Audrey Hepburn's theme song in her role as Holly Golightly in the the movie "Breakfast at Tiffany's" adapted from the Truman Capote novel of the same name. I remember singing that song out loud when I was a little boy. I knew the lyrics by heart. Johnny Mercer wrote them using word imagery inspired by his childhood in Savannah, Georgia, which resonated deeply with this Southern boy. I grew up in a house on a bluff across from the Coosa river in Alabama and dreamed of "crossing it in style, someday."

A  FITTING end to summer and beginning of the autumnal equinox this year was the Super Harvest Moon. Usually, the Harvest Moon is the closest full moon to beginning of the fall season, but this year it actually coincides with the changing of seasons, making it "Super." It was 1991 when this last happened. Here in the Northern Hemisphere, the sun set on the Western sky while the full moon rose opposite to it in the Eastern sky, creating a magical twilight that was illuminated by the sun and the moon at the same time, hence the name "Harvest Moon." It was named such because the farmers could harvest their crops by the light reflected by the moon from the sun. My photo below was taken after the moon had risen in the sky. I didn't make it to the park in time to see the gigantic, low-to- the-horizon Harvest Moon, which is due to a perceptual effect called the Moon illusion. Even so, as fall begins in the Northern Hemisphere, spring begins in the Southern Hemisphere.

HAVING  REDISCOVERED one of my all-time favorite tree decorations in storage a few weeks ago—a large hand-blown amber mercury glass moon face ornament—I photographed it in its singular beauty with a small branch from the large evergreen in the photo of the full moon below. I had never encountered this beautiful evergreen in a park I've been to on numerous occasions. Actually, I had a completely different blog post planned, but I felt this event had some sort of special significance.  

ACCORDING  TO my friend who is a psychic and astrologer, Cathy Burroughs, "this [lunar event] is an earth-shaking combination with the Sun and Saturn in Libra, Pluto and the North Node of Life Path in Capricorn, the South Node of past life gifts in security-minded Cancer, together with Full Moon in Aries with Uranus and Jupiter in Pisces is enough to tear us apart—hopefully to be reassembled in accordance with our higher evolutionary path." I don't know enough about astrology to make complete sense of all that, but it sounds like something quite out of the ordinary. According to Cathy, "it's a perilously, mercilessly rocky ridge around this bad boy."  

HERE'S  HOPING all this upheaval still signifies a fruitful harvest from the abundance the universe holds for all of us. And with the rarefied light reflected back gloriously by the full moon, this year's holiday magic begins!

MAN IN THE MOON | (Top) This beautifully evocative amber mercury glass ornament was hand blown and is quite large (about 5 1/2 inches in diameter). It was distributed by Department 56. I've had this ornament for well over a decade—it has always seemed to me to have such a serene personality and its face always reminds me of "my Huckleberry Finn" (Lowell, in the Polaroid picture at right, who lured me from my home state of Alabama to my life in Atlanta). Never failing to make me smile, we always hung this ornament on the trees we had together. Talking to him tonight at dinner, I came home afterward and photographed it. Lowell and I are still friends after a 6-year relationship back in the 90's. Being such a nester, I am still in Atlanta, but he—ever the adventurer—is now living in San Carlos, California with partner Frank.

TWILIGHT TREE | (Above) This evergreen tree frames the Super Harvest Moon after it has risen in the sky at twilight on September 22, 2010 at Freedom Park in Atlanta, Georgia.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED 

photography, collecting and styling by Darryl Moland,
photo of Lowell by unknown photographer 

circles of life

THE  THREE  MATRIARCHS of my life were my mother Lois Virginia (Moland), my aunt Laura Ann (Sadler) and my aunt Wilma Elizabeth (Sherrill). Three sisters, three forces-of-nature, three strong-willed women. Three big-loving, free-thinking and infinitely-wise women. Three completions of the circle of life.

WITH  THE  PASSING of my Aunt Wilma last month, all three have now left this plane of existence. My mother led the way on July 10, 2005, my aunt Laura followed on February 16, 2007, and aunt Wilma on August 10, 2010. I'm sure wherever they are, they're still conducting their three-ring circus of life . . . the show must go on. They were sisters, but each led independent lives in concert with one another, from which our whole family learned and grew.

THIS  TREE  of life is dedicated to them. The tree is teeming with representatives of life. There's a tarnished glass glitter butterfly topping it all off: beaded flowers, pressed metal fish, leaves in skeleton form or wrapped around an orb, three dragonflies—distinctly different, a frog chasing a fly, and a snail ornament enliven this tree. Fitting as an ode to summer, the greens and yellows of the ornaments represent the warmness of the light that brings sustenance to all life (accented here by a wire surrounded sunface ornament). The three della Robbia-style wreath ornaments tied together with one ribbon represent the sisters and their connection to each other (as well as the riches gained by knowing them). The peculiar cadence brought to all that they encountered will live in every heartbeat, until we too complete the circle made from life, death and rebirth.

MY  MOTHER  left me with an unending sense of awe and wonder, that even finds a way to peek through in the lowest of moods. Somehow she is there, telling me yes (her last word to me), one more time. Yes, Darryl, it is worth it, yes, you will be OK, and yes! (leave me alone). I am a part of her, still living and breathing. I am carrying her wishes and dreams for me. Her memory is sometimes all that keeps me tracing circles in the sand, knowing full-well that the waves from the great womb of the ocean will rush ashore and erase them. So I will have to remember how they looked, how they were drawn and how they live after brushed from sight, much like a sand mandala is swept away after it is completed. It's the meditation that counts in bringing its energy into the world. And it is released once it is finished, holding no attachment to the material world, amplifying in its absence, life's transitory nature.

MY  AUNT  LAURA  helped bring me through a certain catharsis after my mother's death in a somber, but adventurous trip. She had come to visit my mother when she was in her last days and I encouraged her to stay so she could attend her funeral, after which I would drive her back to her home. A highlight of our trip back to Virginia (need I say more about the irony of that since my mother was named Virginia?) was a tour of the Biltmore House and Gardens in the Blue Ridge Mountains of Asheville, North Carolina. Once we arrived at Laura's farm in the heart of the Appalachian Mountains in Virginia, she showed me albums of old photographs, giving me a few of my mother and other family members. She told me stories relating her beliefs and gave me bits of her wisdom. She's the only person I've ever known that grew rhubarb in her garden, from which she made wonderful strawberry/rhubarb preserves every year. She was an avid gardener and loved to grow new things. She was a woman of the land.

MY  AUNT  WILMA  was a deeply religious woman. The man who gave her eulogy told those of us there, that above all, Wilma wasn't afraid to shine her light. He was talking in particular about the light of her Christianity, but I know it as her light—pure and simple, unencumbered by the judgment and rules of her faith—just as she was. She saw the inherent good in people and accepted them just as they are. She was faithful, and she knew that love is unconditional. She did not feel she had to manage anyone's life but her own and those who saw that, learned by her example. That's a big sacrifice for some in the realm of the devout these days, but it is one that warrants a respect I give to those that lead by quiet example. It's not the easiest path to take, but it is ultimately the most effective. Modern society could do well with more of an acceptance of the things that cannot be changed. The Serenity Prayer was in full effect for my aunt Wilma's life:  

God, grant me the serenity 

To accept the things I cannot change; 

Courage to change the things I can; 

And wisdom to know the difference.

WHILE  STOPPED  with a front-row seat at a train crossing on the way to aunt Wilma's funeral, I had a sudden urge to begin taking photos of the graffiti painted on the train cars passing in front of me. This Christmas tree popped up like a beacon (look to the car at the far right and click on the photo once or twice to enlarge). In the midst of subdued graffiti chaos, topped by a star, it was a clear symbol that the three of them were conspiring again and sending me a message to keep on doing what I'm doing. They brought a decorated tree to me in the most unexpected of places and in the most unexpected form. I had to smile. So it is . . . the beginning of a new season of challenge and reward in finding my passion for this blog and wherever it might lead me. The track has been set.

NEVER  TO  BE  predicted, these three matriarchs run circles around anyone else that has influenced my life. They showed me the importance of being true to yourself and believing in your place in the world. Just as I ordered actual old-fashioned wreaths of flowers for my mother and my aunt Laura for their funerals, and bought a new wreath for my Aunt Wilma a few years ago and put on her door for Christmas, the three wreaths combined on this tree represent their lives. Three sisters have shown me an unending circle of grace. And again, together, are sure to lay the track toward a future I won't be able to imagine. But as long as I have my eyes wide open, I'll be privy to what they want me to see, and know the direction to take.

TREE OF LIFE | (Above, top) This tree is teaming with life symbols from my collection of ornaments—from a butterfly to a frog chasing a fly. The della Robbia-style wreath ornaments, which I've connected by a single ribbon are from the 2008 Martha Stewart Collection at Macy's. Most of the varied, green and yellow ornaments are courtesy The Whitehurst Company. 

TWO SISTERS | (Above, right) This photo was taken of my mother and my Aunt Laura (probably in their early twenties) by an unknown photographer. I just recently discovered this photo through Laura's daughter Martha.

AUNT WILMA | (Above, left) Wilma stands stoic beside her husband holding their first born, Janice. I think her smile in this photo has the same timeless mystery as the much-dissected Mona Lisa smile. Nevertheless, she could look at you and smile back at you with pure love and understanding.

DESTINY TRAIN | (Above, bottom) I took this photo en route to my Aunt Wilma's funeral this past August. Imagine my surprise when I was photographing the different graffiti-covered train cars when a spray-painted tree appeared. Who knew I'd be presented with a Christmas tree in such an odd place? I take it as a definite sign from Virginia, Laura and Wilma that I'm on the right track with this decorated tree project, whatever form it may take and wherever it may lead.

SHINING LIGHT | (Above) This wire surrounded sun face ornament has been a part of my collection for many years. It amplifies the golden light from the large yellow ornament positioned behind it— courtesy of The Whitehurst Company.

SHADOW DWELLERS | (Above) The snail and frog ornaments are from the 2009 West Elm holiday ornament collection. West Elm has had a whimsical collection of nature-inspired ornaments in store during the holiday season for several years. The antiqued French cache pot made from wood is the perfect holder for this late summer tree.

ABUNDANT WREATH | (Above) A detail of one of the three della Robbia-style wreath ornaments, which are from the 2008 Martha Stewart Collection at Macy's.

BEADED DRAGONFLY| (Above) A delicately-detailed handmade  dragonfly was found at a shop in East Atlanta Village a number of years ago. It is made of beads both old and new.

BEADED FLOWER | (Above) A beaded flower ornament from my collection is made from wire-strung glass beads wrapped on a wire frame—a vibrant green homage to summer.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED

photography, collecting and styling by Darryl Moland;
antique photos of my mother and aunts are from the Weeks family collection, 
photographers unknown.

robots and sunflowers

THE  FUTURE  does not always become what we want it to be. But our imaginings and projections onto it are what make the present, so it never hurts to freely associate what we want the future to be. One never knows where an idea will lead. After all, our thoughts have a surefire way of connecting to our reality. We can think about the totality of life situations, or we can focus on the positive things within the whole. It's almost always a choice to do so. And when we do focus on the good energy, more of it seems to come our way (the opposite is true also). One thing leads to another, just as in associative thinking.

AS  KIDS, we all thought about what it would be like when we grew up. Limitless possibilities are given room to grow, but when we become adults, life has a way of getting in the way of this childlike exuberance. My friend Lenny Zimmerman has found a way to tap into this free-association of our childhood psyche, and bring it back to life in his paintings of robots. I think that's why he has gotten such a positive response to them. He says: "I always thought robots would be super curious and full of awe and wonder . . . just like kids where everything is new." Lenny's paintings were the inspiration for this post. And they capture his amazingly inquisitive nature as a talented artist and graphic designer. He projects human thoughts and situations onto mechanical beings.

IT  HAS  ALWAYS  been this way with robots. As kids, robots represented something that we could project our thoughts about the future onto. They became more human to us as a result, in the increasingly manufactured world in which we live. Sometimes they could be brutal or scary, but more often than not, we saw them as friends or searched for a way to do so. In becoming adults, we saw that some menial and repetitive tasks could be replaced with robots, but they could never quite replace anything with real emotion. We all learned that we still had a living-and-breathing emotional life in this natural, not manufactured world.  

RETRO ROBOTS | (Top photo, clockwise, from top left):

The gold/silver robot ornament was inspired by the 1950s Japanese Yonezawa Gold Beacon Robot tin toy.

The red robot ornament was inspired by the 1950s Japanese Nomura X-70 Robot tin toy. The original robot’s striped head would open up like a flower to reveal another head.

The blue cone head robot ornament was inspired by the 1950s Japanese Yonezawa Cone Head Robot tin toy.

The silver robot ornament was inspired by the 1950s Japanese Yoneya Silver Walking Robot tin toy. The original wind-up toy robot had unique side-stepping flipper feet.

All the ornaments above are ©Midwest/Seasons of Cannon Falls and are available at Tin Toy Arcade in College Park, Georgia. 

PURE IMAGINATION | (painting above): Lenny "Porkchop" Zimmerman titles this painting "Robot in the Grass." It creates a world where a robot relaxes in the grass surrounded by sunflowers (or are they sunlamps?). Just as real sunflowers follow and face the sun, these sunflowers are emitting an effusive wonder back to the viewer through a robot discovering his emotions. Lenny says of this painting "I found a bright spot of happy." 

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED

photography and styling by Darryl Moland

as inspired by Lenny "Porkchop" Zimmerman
painting by Porkchop

ONE  OF  MY  favorite recent movies about robots is the animated feature from Pixar named Wall-E. It has a profound ecological message of how we need to take care of the natural world (it shows a scenario if humans had to leave Earth to survive). If you haven't seen it, I highly recommend it! Go here to find out more or view the trailer.

ALSO, one of the most brilliant commercials I've seen lately is this one about remembering what it's like to have the "pure imagination" of a child again. See the commercial below (click arrow on the image below to start and then click again to view the wide screen version on YouTube):

 

picnic panache

ANY  EXCUSE  is a good excuse for a picnic (as well as a decorated tree). Although  the sweltering heat of July is almost unbearable for a lot of dining outdoors, if you plan for a late dinner instead of lunch, it is a special way to enjoy the warm weather. And there's nothing better than a cool slice of watermelon to help with the heat. I have fond memories from childhood when we would ritually spread newspaper on our backyard picnic table and slice a fresh watermelon. A lot of people find this unusual, but we always brought the shaker outside and sprinkled our slices of watermelon with salt before we ate it—I like mine with mild sea salt, please—it intensifies the juicy flavor. To this day, watermelon is one of my favorite things about summer. Another summer ritual is making fresh tomato sandwiches on good white bread with lots of mayonnaise, salt and fresh-ground pepper—sliced on the diagonal, but that's a different story altogether.

IN  AN  ERA  of plastic everything, it's nice to know that great eco-friendly alternatives exist for picnics and casual get-togethers. This disposable beech wood cutlery is a great alternative to plastic. I've decorated a small wire tree  with the wooden utensils. You can also find plates made from naturally-shed banana tree leaves and those cool striped paper straws I remember from my early childhood. The list is growing as the market responds to a more responsible and sustainable way of living. Of course what was commonplace back then, is only had at a premium these days. The plus to all of this is that many new products are beyond utilitarian and have a natural, biodegradable beauty that remind one of the day when sandwiches were wrapped carefully in waxed paper and you carried other food in glass containers wrapped up in a cloth, tucked carefully into a picnic basket. The containers weren't thrown away, but put back into the basket and washed when you got home.

PICNICS  ARE  PERFECT  for two people as well as lawn games. Croquet and horseshoes are as easily played by two as well as two teams, but the most romantic way to spend an evening is a special outdoor meal. It's interesting that these wooden utensils are made of beech wood, because lovers have a long history of carving their initials into the smooth gray bark of these trees. These carved affections grow as the tree grows and get bigger with time due the thinness and elasticity of beech bark. Thin slabs of beech bark have also been used since early times to write on and were sometimes tied together in making the first books. And the symbolism of these tree "ornaments" goes even further because the Latin name for the beech tree is Fagus, which comes from the Greek phagein, "to eat." It's high time to plan a special meal outside. And if you're having it with someone special, instead of defacing a tree, have a picnic under its shade to stay as cool as possible.

TAKE IT OUTSIDE | The biodegradable beech wood cutlery is by Seletti. The tree is a green coated wire tree from IKEA. The antique oilcloth-lined basket was lent by my friend Odette. She also brought this beautiful miniature Crimson Glory watermelon to me (I'm saving the seeds!). It's from the Mennonite Delano Community Farm Market, in Delano, Tennessee. The striped paper straws are made by Kikkerland Design, Inc. The gingham cloth in the basket and the croquet balls and hammers were lent from Green Central Station, my good friend Nancy Tran's shop specializing in vintage picnic items in Birmingham, Alabama. Click on the photo to see an uncropped version, twice to enlarge even more.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED

photography and styling by Darryl Moland

the liberty tree

A STATELY ELM TREE that first stood in Boston Common in the late 1700's became an early touchstone for American independence. In the decade that led up to the American Revolution, this particular Liberty Tree provided a symbolic canopy and a physical gathering place for the people to assemble on their own terms and for their own purposes. The open space under its branches was called Liberty Hall and a flag pole was erected through its branches. A hoisted flag on this pole served as a call-to-action. Inflammatory cartoons and verses were nailed to its trunk. Even Tory effigies hung from its branches in protest. Under the boughs of the Liberty Tree in 1765, patriots, calling themselves The Sons of Liberty, gathered to protest the imposition of the stamp act. Innumerable lanterns were hung among its branches after the stamp act was repealed.

IN  THE  YEARS  that followed, almost every American town had a Liberty Tree —a living symbol of freedom of speech and assembly. Thomas Paine wrote the following song (below) in 1775, which explains the original tree's demise and its symbolic promise. During the siege of Boston, at the end of August 1775, a party of British Loyalists cut the tree down and used it for firewood. It was a spiteful act, knowing what it represented to the revolutionists. But this only fueled the fiery spirit of the colonists. As resistance to the British grew, flags bearing a representation of the Liberty Tree were flown to show an unwavering spirit of liberty.


In a chariot of light from the regions of day,

The Goddess of Liberty came;
Ten thousand celestials directed the way,
And hither conducted the dame.
A fair budding branch from the gardens above,

Where millions with millions agree,
She brought in her hand as a pledge of her love,
And the plant she named Liberty Tree.

The celestial exotic struck deep in the ground,
Like a native it flourished and bore;
The fame of its fruit drew the nations around,
To seek out this peaceable shore.

Unmindful of names or distinctions they came,
For freemen like brothers agree;
With one spirit endued, they one friendship pursued,
And their temple was Liberty Tree.

Beneath this fair tree, like the patriarchs of old,
Their bread in contentment they ate
Unvexed with the troubles of silver and gold,
The cares of the grand and the great.

With timber and tar they Old England supplied,
And supported her power on the sea;
Her battles they fought, without getting a groat,
For the honor of Liberty Tree.

But hear, O ye swains, 'tis a tale most profane,
How all the tyrannical powers,
Kings, Commons and Lords, are uniting amain,
To cut down this guardian of ours;

From the east to the west blow the trumpet to arms,
Through the land let the sound of it flee,
Let the far and the near, all unite with a cheer,
In defense of our Liberty Tree.

THE  INDEPENDENT  spirit of the American people was first symbolized by the Liberty Tree. It is my hope that on this and subsequent July 4th celebrations, the symbolic spirit of this tree serves as a touchstone for America's common link to all the people of the world as well as our original colonists from wide and far. Trees play an important role in creating and purifying the air that all the people of the world breathe freely, not independently. And they create it by the simple process of living in harmony with nature. 

STARS AND STRIPES | (Top) My interpretation of the holiday serves as a tree centerpiece and is a bright reference to the original 13 American colonies. To represent each colony, I decorated a painted tree branch supported in a striped glass vase with 13 glittered wooden stars. I trimmed each star's edges with complementing ribbon and a paper star in the middle. See details below on how this was done. And since this is the United States' 234th birthday, we must eat cake. I've simply added little flag toothpicks stuck through a single blueberry to store-bought cupcakes. The table top is trimmed with a ribbon garland from the 2007 Martha Stewart Crafts line. 

FLYING FREE | (Above, right) The American Liberty Tree Revolutionary Flag, circa 1775. 

LANTERNS OF LIBERTY | (Above, 2nd and 3rd photos from top) This Liberty Tree, hung with 13 lanterns representing the original American Colonies is a dominant feature of Liberty Square in Walt Disney World, Florida. When I first went there as a child with my parents, it made a big impression on me. The lanterns are wired and lit at dusk. This particular tree is not an Elm, but rather a Southern Live Oak that was transplanted. Both photos by ladystardust722.

LIBERTY TREE MONUMENT | (Middle, right) Liberty trees have been popular all over the world. This sculpture in Carlow, Ireland was designed by John Bethan to honor those who were massacred in the Battle of Carlow, who fought and died in the cause of religious and civil freedom (marking the Bicentenary of the 1798 Rebellion in Ireland). The sculpture features a number of macabre skeletons arranged around an abstract tree shape. It is made of bronze and set on a circular base with a fountain.

TORY ROYAL OAK | (Bottom, right) Toryism is interestingly enough symbolized by this Royal Oak insignia. Toryism is a traditionalist political philosophy. It is one of the prominent political parties in Great Britain, but also features in parts of The Commonwealth, particularly in Canada. Historically it also had exponents in former parts of the British Empire.
 

STAR MAKING | (Left) I bought these glittered wooden stars in the dollar bin at Target, Then I glued contrasting ribbons around their wide edges with a hot glue gun. To finish I added a punched paper star to the middle of each punched from metallic cardstock paper, then tied all 13 of them to the tree ("radiant star" craft punch from Martha Stewart Crafts).

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED.

Photography and styling by Darryl Moland