hindsight is twenty-"ten"

LOOKING BACK as one is wont to do at the beginning of the first decade of the second millennium, it's always the practice to resolve to not make mistakes of the past. As for the future though, superstitious beliefs abound. In the American South, eating collard greens for prosperity and black-eyed peas or Hoppin' John for luck is part of the New Year's ritual. I had some of each, although on New Year's Eve at an early dinner at the Collonade. Maybe by doing that, it only helped me through the last few hours of 2009. It has not been an especially easy year for anyone (that I know, at least). Our vision is not always perfectly clear in looking back. We have to "be in the now" to really find that elusive moment of clarity. That is a resolution for anyone—to be aware of and in the moment when conducting daily life.

IT WAS THE SECOND year that I've adopted the Spanish tradition of consuming “las doce uvas de la suerte” (or the 12 grapes of luck) at the turn of the clock at midnight, along with a glass of bubbly (or wine, as we did this year). Each grape represents a month in the new year—some sour, some sweet—as I'm sure they will be. We're ushering in a new decade and have that chance again to make this the decade known for something. I'm not sure what label we'll stick on the decade that began with a two and three zeros. With the word "Twitter" being the top word of 2009 (in the English language at least), I wonder if anyone can sum up the decade in 140 characters? It has been quite a time of upheaval and limbo in many ways. 

IT'S NOT ALWAYS what we say but what we do. The following quote from one of the most notorious people in the last decade really sums up what unsettling and contemptuous rhetoric the decade has brought:

"As we know, there are known knowns. There are things we know we know. We also know there are known unknowns. That is to say, we know they're some things we do not know. But there're also unknown unknowns; the ones we don't know we don't know."

Did you get that? That quote was from U.S. Defense Secretary Donald Rumsfeld on February 12, 2002. No matter whether it effectively explained why the U.S. government had no idea what it was doing by invaded Iraq—in taking it out of context it points not so succinctly to many unsure missteps we have made collectively. 

ALL I CAN SAY is that I still believe in and wish for peace in the world. As time continues to tick away, the planet is getting smaller every day technologically and the people of the world are understaning and reasoning with each other in more civilized and succinct ways.

HATS OFF | Toasting 2010, Jon and I had a glass of wine with a skewer of 12 grapes, representing each month of the year—a Spanish tradition (above, right). The 2009 top hat ornament is from Martha Stewart Everyday Modern Celebration line at Kmart. The 2010 headband is from Target. 

TIME FOR PEACE | A delicate hourglass from Target (above, left) sits next to a past season's top-hatted Dee Foust licensed snowman figure produced by Bethany Lowe Designs that resembles an iconic New Year's image. It all overlooks a mercury glass globe ornament from my personal collection atop a glass-glittered peace sign ornament from Pottery Barn.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED 

collecting, photography and styling by Darryl Moland

REAR VIEW | This surrealist image (above) of an uprooted fir tree as car air freshener was found on a Catalonian blogger's site that commented on my blog this past August from French photographer Cédric Delsaux. I'm sharing the smile of irony it gave me. Hindsight is not unlike a rear-view mirror.

folk wonderworks

GOOD FOLK ART has a resonance that seems timeless and without a place—except in our imaginations. The pure and childlike simplicity (or complexity) of it combines a myriad of ideas in a friendly and accessible way. Santa Claus has always been the subject of folk art. His origins date back to a Dutch (Sinterklass) folk tale derived from the historical figure Saint Nicholas, who was also known as Nicholas, the Wonderworker because of the many miracles attributed to his intercession. Just as primitive art forms visually inform in the most sublime way, the verbal art of storytelling and oral history is passed from generation to generation. It is as if the gift-giving that Santa is known for starts with the spoken tradition of storytelling passed down to the next generation. It is interesting to note that modern Dutch life in the Netherlands heralds St. Nicholas Eve (December 5th) as a much more important holiday than Christmas.

WITH SO MANY varying stories about how and where Santa originates (depending on what country you're from and depending on which form of Santa is popular), it's no wonder one starts seeing Santa as early as Halloween (if not all year in some form). Living in Atlanta (home of the Coca-Cola Company), the ubiquitous American form of Santa in Coke ads helped shape his modern-day image. Although I don't condone kitchy Coca-Cola tree ornaments (why?), the well-designed World of Coca-Cola museum houses an incredibly interesting array of Coke ephemera, folk art and advertising (including a large array of Coke Santa illustrations and ads). To sell flavored, high-fructose corn syrup-sweetened water which is extremely bad for your health, the advertising has to be innovative. If nothing else, Coke is to be applauded for its cutting-edge advertising history. Born-and-raised in the American South, I was practically weaned on Coke-Cola (as true Southerners call it). There is nothing like an icy glass of Coke during the dog days of summer, although I try my best to steer clear most of the time.

IN THIS unusual, almost sinister-looking folk art figure that could be Santa, a snowman, Christmas or Halloween figure (above, right) is holding a pumpkin candy basket in one hand and a goose feather tree stem in the other, you see a wonderful amalgamation of the holidays right through Christmas, no matter what culture in which you learned about Santa. This little guy was so unusual, I had to bring him home. He illustrates such a wonderful and unapologetic folk art weirdness!

I BOUGHT a misfit candy container at a discount store that my friend David Schump retrofitted with a folk art Santa that he made (an incredible folk artist in his own right) from vintage trims and a rabbit fur beard and gave back to me (being re-gifted was never so good). He sculpted the face and hands from clay and painted them carefully. It was such a wonderful surprise to see what he had done (left). This little Santa has a similar effect on me. When looking at him, how can you help but smile and wish good tidings and cheer to everyone—whether Halloween, Thanksgiving or Christmas? The bubbles might burn your throat on the way down or even bubble up in your nose (like a Coke), but the sweetness will make it go down all right. Let the mash-up we call the holiday season begin! 

HALLOW'S SANTA |The Santa figure (Top) was distributed by Bethany Lowe Designs and originally made by an inspired folk artist Virginia Betourne of Trout Creek Folk Art. I bought it in Westside Atlanta at Star Provisions. 

FOLKSY GIFT |My friend David Schump (a fellow graphic designer) embellished this snowball candy container (Above) in a most sublime way. I'll cherish it for years-to-come. He even placed a surprise in the inside with red-and-white-checked pleated round with a die cut Santa head in the middle. 

©2009 DARRYL MOLAND | ALL RIGHTS RESERVED 
collecting, photography and styling by Darryl Moland

tree of light

IMAGINING the first holiday tree, it must have been the lighted ones that really touched the primal spirit of our collective psyche. Like the first magical fire that danced in front of man's eyes, the addition of light brought the sparkle and wonder alive. There is no doubt that the decorated tree has become one of the most beloved and well-known symbols of life during the holidays.

AN ANCIENT custom, the decorated tree has played an important part of winter celebrations for centuries. Whether it was the Pagans honoring the spirit of nature with festivals incorporating decorated trees; the Vikings believing that the cold darkness of winter would end with the light of spring returning, as long as there was an evergreen around; the Druids of ancient England and France using fruit and candles to decorate oak trees—honoring the gods of harvest; or the Romans celebrating Saturnalia by arranging trinkets and candles on trees—the ritual of decorating a tree is stored deeply into the collective consciousness of our holiday celebrations.

IF  IT WAS the patron Saint of Germany, Saint Boniface chopping down the Oak of Thor in a stage-managed confrontation with the old gods and "heathen" tribes—and claiming the small fir tree growing up in the roots of this oak as a new symbol of Christianity; the initiator of the Protestant Reformation, Martin Luther being inspired to light an evergreen with candles to illustrate to his family, the twinkling of stars through the fir trees at night; or the German Christians adopting the evergreen indoors during the new Christian holiday, the decorated tree is a ritual that represents an inspired collective of ideas and beliefs.

THE TRADITION spread throughout Europe, culminating in the first real media attention for the custom when engravings of Prince Albert, who was German, along with his wife Queen Victoria decorated the first Christmas tree at Windsor Castle in 1841 and it was written up in the London Times replete with an engraving (see below for a later illustration in color). They decorated their famous tree with candies, gingerbread, fruits, nuts and candles to their children's delight.

GERMAN IMMIGRANTS came to America in the 1830's, bringing Christmas ornaments with them. Most Americans still considered the Christmas tree a heretical symbol of Paganism. One of the first public displays of a Christmas tree was set up by German settlers in Pennsylvania. But it wasn't until the late 1800's that Americans began adopting the irresistible custom of the Christmas tree.

EVEN  IF none of these legends are entirely true, the origin of the decorated tree in modern times has many connections to Germany where the first glass ornaments—humble representations of evergreen pine cones were made. Even in parts of Germany where evergreen trees were scarce, families would build a Christmas pyramid—a simple tiered structure decorated with branches and candles. Pagan or Christian, the act of decorating a tree, for whatever reason, resonates with most of the world's population. 

CHRISTMAS  TREES were then decorated with nuts, apples, cookies, strung and colored popcorn, and candles while European ornament collections were begun. Electricity brought strung-together lights in the early 20th century. The idea of  the lighted tree spread as quickly as electricity and Christmas trees became a household fixture during the holidays. And in communities across the globe large outdoor displays of holiday trees and lights have been adopted over the years—the world lighting up with the magic of the winter season.

ON  THIS  ELEVENTH day of September, we in America still have a lot of candles to light and a lot of thoughts and prayers to be answered, either by God or by our own actions. And it's not lost on me, but my eleventh blog follower, after resistance to the chaos he finds in my life, has finally realized that this blog is my way of digging through  the rubble of a passion to collect and making something of it. Thank you Mr. Jon Chavez for being patient with me and being the brightest light in my life. The number eleven has truly become significant for me (a time prompt from spirit guardians or not). I'm making a wish before I extinguish any flames. 

SPARKLE AND LIGHT | Pine cones—long symbols of fertility and even eternal life—were some of the first German glass ornaments made for use on the holiday tree. I gathered my collection to decorate the most perfectly-shaped fir tree I could find (photos above). Simply adorned with a widely-varied, but singular collection of old and new pine cone decorations, this tree evokes a timeless historical elegance. It is draped with an antiqued tinsel garland from Bethany Lowe Designs (above, right). The candles held atop the trees branches in metal pine cone-shaped clips from Germany create a beautiful flickering warm light unparalleled by modern electric lights. The lighting of the tree became an occasion that year (2007) and was a pure celebration of the origin(s) of the decorated tree. The finial glass tree topper was made for the brilliant Thomas O'Brien retromodern ornament collection for Target several years ago.

©2009 DARRYL MOLAND | ALL RIGHTS RESERVED
collecting and styling by Darryl Moland, photography by Jon Rou

HISTORY AND MYSTERY | In these two illustrations, Martin Luther is shown to be one of the first to place candles on the branches of the evergreen tree brought inside (above, left) and the English monarchy that was Victoria and Albert are credited for popularizing the decorated tree in 1841 (above, right).