family tree

A TREE HAS taken root. A family has formed. And this is already our second Christmas together. Life has been busy. And our view is constantly in motion. But, despite the turmoils of the world, we have the comfort of each other. A Christmas tree is a bright reminder of that.

MONOGRAMED CHIC | These gold-initialed ornaments form the script for a new family. J is for Juan; A is for Abella, the Bengal cat; D is for Darryl (me); T is for Tallulah (the newest addition, a rescue dog); and F is for Frida, the Ragdoll cat (who makes a blurred appearance in the top photo).

THIS TREE, in a small way, is symbolic of our new family, hung with initialed ornaments representing each of us. The wire and cardboard diamond-shaped ornaments represent a strong structure for a great future together. The tree is a Silver Tip tree, which is naturally sparse with ample space between the branches and a quirky natural shape reminiscent of the untrimmed trees you see in vintage photos. Many of the lights on the tree have crinkled metal light covers in gold and silver in various sizes to give the tree a magical glow.

ALL IN THE DETAILS | This unusual shooting star tree topper is actually a store fixture from Starbucks from last season that I convinced a manager to save for me. It worked perfectly atop this tree.

LOOKING CLOSER, this tree is topped with a multi-faceted and glittered shooting star. The tree employs a fairly neutral color scheme of glass ornaments in gold, silver, bronze, whites and greens with classic bright blue and red punctuating the mix as a nod to the traditional trees of my childhood.

FRAMEWORK GEMS | These interesting gem ornaments are made of wire and metallic cardboard. I added a tiny glass bauble to each wire-framed ornament to make them more elegant.

THE FRAMEWORK for a family starts with a bedrock of comfort, joy and love. When things are right, whatever life throws your way is tempered by knowing that you have someone there that has your back. When you feel that, you know it's the real thing.

DIAMOND IN THE ROUGH | These metallic cardboard ornaments are light enough not to weigh down the branches of the tree. Even though they are made from humble foil-covered cardboard, they are quite sophisticated in appearance due the diamond shape.

WARM HEARTS are warmed even further by a beautiful tree that is thoughtfully decorated. I chose to make this one thematic in color and form, but even if your tree is a hodgepodge of family heirloom ornaments of every style and stripe, what really matters is that it conveys that magical spirit of the holidays. The symbolic memories attached to decorations give them a heirloom resonance throughout the years that is unique and meaningful to your family.

Please check out the video of the tree below (hopefully, I'll figure out how to make the resolution better and replace this one):

©2015 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography and styling by Darryl Moland

something wicked

"Something has changed within me. Something is not the same. I'm through with playing by the rules of someone else's game."

—ELPHABA THROPP from WICKED (the musical)

I'VE SUMMONED Halloween a bit early this year. This time, I came upon a witch's hat (or two, or seven) and a cat that must have cast their spell on me, which led me to see this tree. Something wicked you say? Maybe so, but there's a certain elegance in these going's on. The witch responsible for guiding my Halloween spirit this year is quite a sophisticated one—not satisfied with the typical orange and black of All Hallows Eve.

INSTEAD, this witch has an eye (or two, or nine) on the lookout for a holiday tree that is decorated her way. I'm not responsible. It was out of my control. I think a little magic has happened. Elphaba Thropp, the name of the witch I have mentioned, is surely responsible. She's the daughter of the Wizard of Oz according to Gregory Maguire, who wrote the fictional account of her life in Wicked: The Life and Times of the Wicked Witch of the West. The Wonderful Wizard of Oz (L. Frank Baum's book) was Maguire's inspiration. As a homage, Maguire used Baum's initials (L.F.B.), phonetically pronounced to form Elphaba's name. Get it? El-Pha-Ba. You may have heard of both of these authors, but didn't know much more than that. "So much happened before Dorothy dropped in . . ."

I WON'T SPOIL the story, but Gregory Maguire named Elphaba's book of spells a Grimmerie. The author goes on to say "I conjured up the word Grimmerie to prompt associations of several things at once: of the Brother's Grimm, with their tales of magic and witches and forests; of grimmness itself. But also I meant slyly to echo the archaic word gramarye. The Oxford English Dictionary defines gramarye as 'occult learning, magic, necromancy.' There is a solid philological relationship to the Scottish word glamour—the casting of a spell over the eyes of a spectator . . . "

ACCORDING TO the historiographical highlights in the Grimmerie, "Elphaba's origins are shrouded in mystery, but we do know her mother received a strange visitor before she was born. At Shiz University, Elphaba was a brilliant student with magical gifts that she tried to hide. Because of her green skin, the students, including her roommate Galinda, shunned her. Elphaba's momentous meeting with the Wizard in the Emerald City set her on the fateful path whereby she became Wicked."

SO THERE you have it. A watchful Halloween tree that has Elphaba's signature style. I am glad to be here to show you the results and to assist Elphaba in casting her spell. And I'm grateful for her guidance—which may very well have been her last good deed.

WICKED ELEGANCE | (Top two photos) This tree could have gone in a Seussian direction with an inspiration that started with a hat and then a cat, but I realized quickly that something else was at play. A bit of magic led me to find these witches hats (at Michaels, tucked away in a display of frames and meant to be placecard holders). And the cat appeared to me on a clearance shelf at Ross. All nine of those eyes were watching me at Pier 1 Imports. Odd numbers of each are the rule-of-the-day for a pleasing composition. The large book in the photo is The Grimmerie, a behind-the-scenes look at the hit Broadway musical "Wicked"—a gift from my friend Jon Chavez. It is beautifully-designed to look old by Headcase Design, Philadelphia, Pennsylvania, 2005 (a spread from the Grimmerie is seen below).

MAGICAL DETAILS | The right balance was struck with a wire tree—made as craggy as can be’— coated with black glitter and beads, was found at Marshall's and decorated with the witches hats and the eyeball ornaments mentioned above. Added to the spirited mix is a smoky small glass beaded garland from Restoration Hardware, small glass ornaments in green and dark brown from Michael's and fancy glass clip-on candles from the "vintage" 2004 Golden Traditions line by Martha Stewart at Kmart. It's all contained in a heavy stoneware cauldron with smooth black river rocks.

MILLINER'S MAGIC | This flocked witch's hat from Michaels is deftly striped in green glitter and is topped with a spiraled wire meant to be used as a placecard holder at the dinner table (see below), but I first saw them as elegant ornaments.

CANDLE CHARM | These clip-on glass candles—which are historically  associated as a decorations for German feather trees were put to good use to set the mood. They are from the "vintage" 2004 Golden Traditions line by Martha Stewart at Kmart. I purposely centered this particular "flame" in the door's circular details to give a certain importance to it as a "tree topper" (the door was a discarded find, painted Bedford Grey from Martha Stewart's line of paints at Home Depot).

DRAFTY DODGER | This faux bois beeswax candle, mysteriously flamed out, is from the defunct Martha by Mail catalog. The metal candle snuffer from my collection stands guard. The beaded placemat is from the 2011 Halloween collection at Target. Two of Elphaba's spellbinding books (including the Grimmerie shown in detail above) are always at-the-ready.

TABLE FOR ONE | Since the mysteriously elegant Elphaba was shunned by her peers, she often dined alone, but with a great sense of style. The place setting is composed of a dinner plate, a salad plate and a napkin from Pier 1 Imports. The black dessert plate is from Target. The flatware pattern (that looks like unfurling fern fronds) is "Treble Clef" by Gourmet Settings.The silver-rimmed crystal water goblet and wine glass are from the defunct Martha by Mail catalog. The beaded placemat is from the 2011 Halloween collection at Target. Here the witches hat from Michaels is used as it was originally intended as a placecard holder. I made the placecard from a faux bois printed gift card by Martha Stewart Crafts by adding a brown satin ribbon through the perforations. Stick-on scrapbooking letters spell out Elphaba's name on the ribbon. The small bouquet is composed of a probable witch's brew of delphinium, rosehips, hosta and a thorny stem of a trailing rosebush.The tarnished hotel silver bud vase containing it is from my personal collection.

©2011 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography and styling by Darryl Moland as inspired by Elphaba Thropp

Halloween candy

TRICK-OR-TREAT  is the well-known mantra of ghouls and goblins that show up on your doorstep on Halloween night. The sometimes hostile supernatural forces and the ghosts and spirits of the dead are supposedly free to wander as they wish, as they walk on the thin line separating them on this scary night. Over the course of centuries, the present-day custom of trick-or-treating was born out of such superstition. Is it only that, or did our ancestors know something we've forgotten?

GIVING TREATS  to the tricksters, according to Halloween lore is said to appease the wandering spirits and keep them from doing dastardly deeds to your property (or flock, as it were). Wearing masks and other disguises are meant to confuse the spirits roaming amongst us.

AS A KID, I remember roaming around the neighborhood with a gaggle of friends, going unsupervised to neighbors homes (after a certain age) where we would find homemade fudge, popcorn balls and other treats carefully packaged in paper treat bags printed in black and orange. Of course the trickster tradition of papering (or rolling) someone's yard was great fun also (usually friends or teachers)! The freedom of these innocent times has been curtailed these days with more supervision since the trickster spirits seemed to have taken hold of the holiday. Maybe it's only because—more often than not—the treats aren't as carefully considered and made with love.

IT HAS BEEN  quite a trick to create the images of this post, but I had a lot of fun doing it, so I'm going to let them speak for themselves and not be as long-winded as usual. The large ornaments on the tree above were hand-cut and crafted in New England and sold in the online Stromboli's Wagon store on Ebay. Inspired by vintage imagery and beautifully finished in paint and glitter, it's obvious they were made with love and care. The Jack-O-Lantern metal bell ornaments are from Pier 1 Imports—in three sizes, they lend a great compositional depth in decorating this glittery tree cutout. It all sits atop a gothic-style wooden table.

SHE COULD very well be the Queen of Halloween — my always supportive and inspiring blog friend, folk artist Johanna Parker — created some wonderful Halloween hangers this year that I've added to my collection (from her commercially available collections, available here, here and here). I told her they might just become my holiday totems! In describing her thought process in making these spooky-fun creations, Johanna says "When designing these fun hangers, my intentions were to add a little more movement to my holiday product line. Typically, my Halloween characters are fashioned for the shelf, mantel or table top, so the thought occurred to me to add a little kinetics to the mix. Double-sided hangers came to mind and naturally all things that haunt us from the skies popped in my imagination. I absolutely love owls, bats truly fascinate me, and well, Mr. Moon is certainly a key player in setting the spooky mood!" Inspired by her collections of vintage holiday novelties, Johanna admits that her favorite subject matter is Halloween. And why not? Her birthday also falls on October 31st. Happy birthday Johanna!

AND SINCE cats are my favorite animal associated with Halloween (actually my favorite animal, period), I've created a simple cat tree this year. It seems that Halloween is rivaling Christmas in popularity everywhere. It's no mystery that according to History.com that one quarter of all the candy sold annually in the U.S. is purchased for Halloween. Let's hope that's enough to keep us safe from the evil trickster spirits for at least another year.

GOTHIC GLAM | (Top) This glittery tree stands in contrast to the blue backdrop painted with Martha Stewart Living paint in azurite from Home Depot. It is decorated with glittered vintage-inspired ornaments from Stromboli's Wagon and Jack-O-Lantern metal bell ornaments in three sizes from Pier 1 Imports. Altogether they form a vintage Halloween look. Since the bells ring, does that mean the spirits get their wings? 

GLITTERY RETRO | (Above, left) The handcrafted ornaments were hand-cut and crafted in New England and sold in the online Stromboli's Wagon store on Ebay. Inspired by vintage imagery and beautifully finished, it's obvious they were made with love and care. 

HALLOWEEN HANGERS | (Above, right) I couldn't resist these Halloween owl, moon and bat hangers designed by my blog friend Johanna Parker (left, in her Halloween finery). Oversized and double-sided painted papier-mâché ornaments of this size certainly set a spooky-fun scene for a tableau like this. I purchased these folk-art finds from blog friend Debbie Buchanan's online store at Bayberry Cove.

CATS IN HATS | (Bottom) These black cat ornaments in orange hats from Pier 1 Imports are a simple trick for this coated wire tree from IKEA. The multi-colored bumpy glass ornaments are from a past Martha Stewart Kmart collection. The cat/costumed folk-art figures were lent from a friend's private collection, all placed atop a sparkly beaded spider placemat from this year's Halloween collection from Target. 

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED 

photography, collecting and styling by Darryl Moland

Luci in the sky

Until one has loved an animal, a part of one's soul remains unawakened. —Anatole France

IF THERE WAS ever a reason to relate the unique bond that sometimes humans are lucky enough to be able to share with animals, then there would be no words to describe such a profound and wordless expression of love. Poetry could possibly come close, but true-to-form, the love (and bond) I shared with my Calico cat Luci was indescribable in words, except to say that I've never had a more amazing connection with an animal. She brought such pure love and light into my life, I wonder sometimes if I could have made it through some of the losses and trials I've been through in the past few years without her. Now that she is gone from this plane of existence, I'll have to find my way back to her with all the good memories she left with me.

BARELY ABLE to write the Saint Patrick's post I had already prepared the photos for last week, I was at a loss, but did it to take my mind off of my grief, if only temporarily. It was written last Tuesday on the evening of the day I had to let Luci go "run with the Gods." I titled that post "faith, hope, love and luck." And I had in mind a double meaning when that title was decided, as that was a set of words that could also describe the reasons for the angst I felt in my loss. It was almost impossible to make the decision to have her euthanized because she wasn't letting go of this life very willingly and I wasn't letting go of her because I was able to care for her well in those last days without her being too uncomfortable. But I know she was hanging on for me as much as anything, and that awful decision finally had to be made for her sake. For this week's post, I add the word "light" to that list of words . . . in honor of Luci.

THIS FIRST day of spring was a rainy one here, but last Tuesday, when I had to let her go, it was a beautiful, sunny and warm day that felt more like the first day of spring than today. Being an indoor cat with only minimal time outside during her life, I took her outside that day. She bathed in the sun, breathed in the fresh springlike air and even attempted to nibble a few fresh grass blades. Coming home this evening, after the rain had let up, I looked up into the sky and saw the stars more clearly than usual (with all the ambient light a city like Atlanta creates). Maybe it was only Luci looking back at me and allowing me to see more stars in the sky than I thought possible. There's something about the days of mourning after a great loss that makes one more cognizant of the profound things the universe holds—so easily missed—in our busy lives. I'm paying close attention to that and I'm trying my best to remember that through the tears I've shed after loosing my constant and beautiful companion. She's just with me in a different way now and it will take some adjustment.

LUCI WAS a magical cat if there ever was one. Her name Luci (short for Lucifur) quickly became one that held the meaning "light-bearer" instead of what one would commonly think of as a name for Satan (Lucifer) in English. Lucern ferre in Latin literally means light-bearer—the morning star or dawn appearance of the Planet Venus that heralds daylight. The name Lucifur stuck for the wrong reasons when she was a kitten, as she was so active and mischievous, but was quickly shortened to "Luci." The Gods must have known then that it would have a deeper and more resonant meaning as the years spent with her came and went. Over sixteen years later, growing from a kitten to a beautiful diva, she makes her exit to the stars. I can only hope her becoming part of the collective consciousness of souls creates more of the light and love needed for this existence in larger quantities than ever before.

I DEARLY LOVED Luci. She left a big void and my heart aches in her absence. It will never be the same without her, but I know her light will continue to illuminate the way. I must keep my eyes open to it and become as watchful to the unseen as a cat.

MEMORIAL | (Top) For some reason, the color red became suddenly significant after loosing Luci. I found this stone cat that was carved in Kenya on the day Luci died.This weekend, I picked red camellia flowers and red-berried holly (both evergreens) from a friend's yard to make a memorial arrangement (composed in a milk glass fish bowl vase). A terra cotta bird Jon gave me this Valentine's day sits atop a tiled bone box bought to hold Luci's ashes. A Christmas bell ornament that Lowell gave me this past season with the word "dream" written on it sits next to the red stone cat carving. Jon and Lowell are two very important men in my life that have realized and shared the incredible love bond with Luci that I did. Lowell was there for the formative years of Luci's comfortable life and I thank him for giving his own brand of magical love to Luci. Jon has been with me the whole time through Luci's illness and death (and a while in health) and I thank him for his incredible love, grace and recognition. Luci thanked them both in in her amazing way of bonding with them.

YOUNGER YEARS | (Above, bottom) This black-and-white photo of Luci taken by Lowell about mid-way through her life has always been one of my favorites. The magical beam of light in her eyes is evident.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED

 memorial photograph and styling by Darryl Moland
photograph of Luci by Lowell Hylden