endless summer

THIS SUMMER has been an unbalanced liquid mixture of emotions which tilt to one side or the other and give me the feeling that I will never regain my sea legs. I've been thrown off balance like never before through a lost relationship and other surrounding turmoil. That's why I haven’t posted on my blog for a while. But with time as our most constant and dependable friend, things have a way of finding equilibrium and balance again. One really finds out who their friends are during times like these. I've realized that instead of giving all my love away, I have to begin with a good portion for myself. It's definitely one of life's hardest lessons to learn (and relearn). Once again, I'm finding my way back, finally. And again, I'm sure I'll forget, because when I love, it's from a deep place in my heart and soul and I lose my head in the clouds of what could have been.

BEACH BEAUTY | This festive tree combines a beach-inspired assemblage of mercury glass shell ornaments; starfish ornaments of all shapes, colors and kinds; glittered "sea creatures"; mother-of-pearl covered orbs; and tiny mercury glass ornament punctuations of teals, greens and gold.

EVEN THOUGH I haven't made a trip to the beach since last November (to Mexico), the abundance of the summer rain this year has been a welcome relief from the heat of a landlocked city. Fortunately, an effect of this seems to be that there has been a cleansing of souls all around. Astrologically speaking, June and July this summer were dominated by what is called the Grand Water Trine. According to Michael Lennox, a newly discovered astrologer I've enjoyed reading (and watching), it’s an astrological configuration created by Neptune in Pisces, Saturn in Scorpio, and all of the planets that have recently been in Gemini entering into the early degrees of Cancer—the three water signs. When the planets line up in this way, they create a harmonious flow between them, offering up the benefits of such a flow of energy. And water simply moves around and over any obstacle instead of getting trapped. This so-called Grand Water Trine assists us in finding the flow.

SEASHELLS by the SEASHORE | A thoughtful mixture of sea-themed ornaments creates a magical memory of the beach.

THIS BEACH-THEMED TREE celebrates a shift toward a much-needed matriarchal softness in the world that the recent astrological events are supposed to bring. My previous posts entitled Under the Stars and Heartstrings were mostly laments. Ironically enough, this post’s tree was planned well before either of the former posts, as I've carefully gathered the elements for it for many months, starting last autumn. It has been a process-oriented gathering, which I could never get to come together because I always felt something was missing. What was missing was me, and my ability to pull myself together—I had all the elements in place all along, but I have to say that a few key items were added to the mix along the way that made a symbolic difference. This tree has the bright magic of a subdued summer Christmas, which is entirely appropriate—at least figuratively. 'Tis the season.

LUCKY STAR | This pressed tin star (Hecho en Mexico) is a symbol of my last trip to the beach in Tulum, Mexico last November. One of the last additions to my gathering of decorations for this tree, I bought it at Atlanta's High Museum Shop during their fantastic Frida and Diego exhibit this year (now closed). Associations like this give resonance to the ornaments I use to create a tree.

BOOK of DREAMS | Available here.

The preface of the summer section of my book based on this blog still resonates and amplifies the metaphors I associate with the ocean. Memories of childhood trips to the beach, riding the waves and soaking in the summer sun have replayed in my mind all my life. Reality has caught up with me again and I'm metaphorically (and astrologically) riding the waves created back to solid ground again. Devin literally saved my life when I was overwhelmed by the ocean waves in Tulum, Mexico one day last November, and now I've found myself having to save my life all on my own. It's funny how reality can become metaphor again. Here is the preface of the summer section of my book in its entirety (as adapted from my original blog post):

ONE OF MY FIRST MEMORIES is of pointing to the ocean. Throughout my life my parents told me that the first word I uttered was “see” as I pointed out to the sea. A trip to the beach with my parents and siblings was a yearly summer ritual. In true road-trip fashion, there were few finite plans made before hitting the road. The drive to the beach would begin before the crack of dawn to ensure we could find a place to stay before nightfall. Since I was the youngest of four siblings by a ten-year gap, it was always a middle-of-the-backseat trip. I would lean with my elbows on the back of the front seat between them. Daddy's Lincoln Continental was like a smoothly cruising land yacht sailing to paradise. Because he was so anxious to reach our destination, it was almost impossible to get my father to stop during our trip. Once there, we would check out the scene at the beach before finding a motel with a vacancy. The limitless horizon of the ocean and the rhythm of the waves never cease to lull me back to that place where the breezes cool even as the sun warms my face. Recalling and projecting in my mind's eye the flickering Super 8 movies my father made of our summer vacations, I can ponder the limitless possibilities in life and death. In my dreams, summer never really ends.

SUMMER SPREAD | The opening spread of the summer section of my book (which gathers decorating ideas for celebrating the four seasons).

TOP SHELL | I simply removed the cap from one of the mercury glass shell ornaments and turned it upside down to produce a unique tree topper.

READ IT AND WEEP | Remember the 2010 Gulf Oil Disaster? Still buying gas at BP? Read this scathing article. 

Please revisit my original post lamenting the BP disaster if you missed it in 2010 or have forgotten about it (I refused to ever call it a "spill"). In a season of beach-themed trees for The Decorated Tree, it's entirely appropriate to get mad about the BP cover up all over again. I hope the beauty of the beaches you visit and the lull of the ocean springs you back into action to do something to raise awareness to keep this sort of thing from happening again. (Regretfully, the stickers my friends and I made—detailed at the end of the post—to remind people about the devastation that was happening are no longer available). 

©2013 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography and styling by Darryl Moland

footsteps into the future

EARTH DAY was first celebrated on April 22, 1970. Twenty-million people came together on that date to protest environmental destruction and raise awareness for a healthier, more sustainable planet. Since then, Earth Day has grown into an annual global event with one billion people around the world joining together to draw attention to environmental issues. Paraphrasing the Earth Day site linked above: "On this 42nd Anniversary of Earth Day in a fiscal environment of global recession our planet (our home) is being neglected. Climate change continues unabated in the continued failure of governments to take any steps towards protecting and preserving the environment. There's a new ecological disaster happening almost daily. This Earth Day it's time to mobilize the planet from the ground up to send a message that the Earth won't wait! The Earth Day 2012 campaign is designed to provide people with the opportunity to unite their voices in a call for a sustainable future and direct them towards quantifiable outcomes."

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BUTTERFLIES AND BOOTIES | (photos above) Crepe paper butterflies were made from an old Martha by Mail craft kit using crepe paper, clothespins, wire, Czech glass beads and German Glass Glitter. The small pink mercury glass baby bootie ornaments are from Crate & Barrel and tied with metallic ribbon from Martha Stewart Crafts.

WHEN I THINK about future generations and what they have to inherit from thousands of years of mankind wrecking our environment and using up the Earth's resources—I have to be honest—at first I am a bit pessimistic with what lies in their future. But then you see the hope in the face of a child and it reminds you that everything that new and unformed is an agent of change. Future generations need to be taught to develop a much lighter step and more compassion than ever before for our natural surroundings. It is now at the point of our very survival and best interest to do so and it is an issue of economics. We can no longer ignore the warnings from mistakes made in living the way we have in the past in the name of big business. We must also look to past voices to remind us of a more sustainable mode of living. This quote from a mostly forgotten indian chief was sent to me from Lisa Cummings Edwards (a blog follower and owner of a copy of my book, The Decorated Tree):

"Humankind has not woven the web of life. We are but one thread within it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect."

—Chief Seattle, 1855

LITTLE GRASSHOPPER | (above) The tree branch is placed in a "quilted" ceramic container from a local gardening store, while a wire and mercury glass grasshopper from West Elm stands watch. Grasshoppers can only leap forward, not sideways or backwards. Symbolically, they have the ability to leap through time and into space where the true mysteries of life exist. The flowers behind the grasshopper are from one of the tallest deciduous trees in North America. The tulip tree (tulip popular) is related to the prehistoric magnolia and only produces flowers after it is about ten years old. The tulip tree flowers and bud are interspersed with white buds from a springtime nandina bush, which will eventually become red berries in the winter.

THIS TREE was a collaboration with a very special person in my life, Devin Borden. We made it to decorate his coworker's new nursery. Amanda Hickham and her husband Jeff are expecting a little baby girl soon, whom they have already named Jane Harris. In thinking about what the future holds for their little girl, Amanda says "It seems that over time, people have become more aware of the environment in general and increasingly more respectful of our planet. I can only hope that our baby girl will feel even more of a sense of responsibility once she is grown. It is important to me to be a part of sustaining and bettering an environment that will be safe for her not only as a baby, but for generations to come."

FACE THE FUTURE | (above, clockwise from top left) There are quite a few young ones in my life right now, some of which are shown here: My coworker Gianna Adams recently gave birth to Zander, shown with his mother in this beautifully poetic photo of mother and child; reaching for my face, Sian, former coworker Justine Chung's daughter is a complete delight; Atlas Bunda, the son of Kandace and Rob Walker-Bunda is understandably the happiest boy I know since both of his parents are extremely creative "Renaissance" parents; another photo of Sian with Devin Borden and I (who collaborated on the tree in this post); Mira is the beautiful daughter of my coworker Akiko Wilson; and another photo of Sian as a newborn.

INDEED, WE ARE ALL CONNECTED as humankind, but we sometimes forget that we are not removed from the natural world. We are products of every breath we take, every resource we consume and everything we eat. We are viscerally connected to every living thing in nature. 

THERE SEEMS to be a lot of children in my life right now. In looking for the face of the future, you only have to look into the face of a child as a source of hope. My friend Justine sent me a beautiful quote which she says pretty much sums up her new life in New York City. It really applies to all of us: "A baby will make love stronger, days shorter, nights longer, bankroll smaller, home happier, clothes shabbier, the past forgotten, and the future worth living for." Our mothers know best — especially Mother Nature.

AS A SIDE NOTE, Caine, a 9 year old boy — who built an elaborate cardboard arcade inside his dad's used auto part store — shows that do-it-yourself creativity and persistence can pay off. Caine's Arcade became a success after getting the attention of indie filmaker Nirvan Mullick (Caine's first and only customer until then). Mullick made a short film about Caine (see YouTube video below). The short film went viral through the filmmaker's efforts. It is the most heartwarming story I have seen in recent years and will give you hope for the future like nothing else. Please visit this website and donate a dollar or two (the price of a fun pass) to his college fund as I have. 100% of my donation of $2.00, minus the PayPal transaction fee (0.36), will be put toward creating a Scholarship Fund that will be held for Caine to further his education. The filmmaker will be working with Caine's dad George to make sure a Trust gets set up properly. Also, due to the overwhelming support, and the spark of inspiration that Caine's Arcade has ignited, Caine's Arcade Foundation is being built to help more kids! The Foundation will help discover, foster, and fund creativity and entrepreneurship in young kids like Caine. The Goldhirsh Foundation is generously matching your donations to Caine's Scholarship Fund dollar-for-dollar (up to $250,000) to help them get the Foundation off the ground.

IN THE FUTURE, entrepreneurship will truly "get off the ground" if tempered with a good solid education about the environment and its protection, which will ultimately turn into action for saving our Earth. Happy and Hopeful Earth Day!

©2012 DARRYL MOLAND | ALL RIGHTS RESERVED

crafting by Devin Borden and Darryl Moland,
photography/styling by Darryl Moland

Halloween parade

IT'S OBVIOUS everywhere this time of year, that Halloween has become the most celebrated holiday aside from Christmas. It hasn't been until the past few years that I've really gotten into the spirit of the holiday since my trick-or-treat years as a kid. When going out with a couple of friends, I dressed as— what else?—a spooky tree. Even though I cheated a bit and wore a cheesy web-bought costume, I did add more fake autumn leaves to it to dress it up. 

Dana and Devin have a moment.

LAST NIGHT, I realized that people—eschewing the commercial— are once again investing a lot of creative elbow grease into their Halloween costumes. It's great to see handmade and over-the-top inventiveness in designing costumes is making a big comeback. My friend Dana sewed her incredibly detailed blue gingham dress for her costume as Dorothy from the Wizard of Oz—making it really work with incredible makeup and hair and glittery red flats. With white face and big overblown red lips, Devin dressed as one of the fashion show moments of the late "enfant terrible"Alexander McQueen. I also saw some other really brilliantly designed costumes such as a woman dressed as a framed Mona Lisa—as the live image in front of the frame, complete with the moody background image. There was also a group of new acquaintances dressed as the One Percent, who made their costumes from fake money and got into full character by filling their bags with said fake money and giving it to people on the street, tossing it into the air, and even burning stacks of it while smoking a cigar!

I'M GUESSING THAT next year, I will have to do the same with a costume instead of spending all my spare time on conceiving and designing trees for my blog. I've spent part of two weekends now celebrating the holiday with friends here in Atlanta. Last weekend, I attended the 11th Annual Little Five Points Halloween Festival & Parade. I haven't checked, but I'm not sure if another city that has a Halloween festival and parade. It has been an Atlanta tradition for eleven years now! Local Atlanta artist, Ronnie Land designed and illustrated the really fun and creepy logo for the parade this year, which you see here.

FUN AND CREEPY has always been my mantra for Halloween. The decorations I enjoy most have a definite macabre side, but are always fun and exuberantly creative. That was my goal when creating this "Skeleton Key Tree." So, of course, I emailed the well-known Halloween product illustrator and designer—Johanna Parker, and asked her what I could do with these amazing mercury glass skeleton head ornaments I found. Always in Halloween mode, I give her credit for giving me the idea of framing them and hanging skeleton keys from the branches. She didn't see the final results until this post. It was fun creating this tree and brainstorming with her about it. I searched high and low for the perfect craggy branch and retrieved it a while back in order to let it dry as it did. I even left some of the leaves on it to give it a creepier asymmetrical look.

EVEN IF YOU WAIT until the last minute—with a little advance planning, of course—your Halloween parade of costumes, decorations and decor can contribute to the fun and creepy spirit of All Hallows Eve. You're certain to encounter a parade of fun and creepy characters, whether receiving trick-or-treaters or going out on the town. Here's wishing you a happy, creepy and fun Halloween!

SPIRITED ELEGANCE | (Top two photos and above) This "skeleton key tree" makes use of a craggy branch with some of the dried leaves still intact, mercury glass skeleton head ornaments are from Z Gallerie. Handmade glittered frames were made from clip art glued and trimmed from matte board and the skeleton keys were found on eBay. The scene is set with a faux bois container for the tree, a faux pumpkin with calligraphy from Bayberry Cove and one with a cat silhouette and stars found at Ross. Bright green reindeer moss adds the finishing touch, along with the requisite container of Halloween candy to satisfy the spooks.

FRAMED HEADS | The image used to frame the mercury glass skeleton heads from Z Gallerie was printed from a piece of stock clip art, flipped in Photoshop on the opposite side to match up, then glued to matte board, trimmed with an Xacto knife and glued and glittered with glow-in-the-dark glitter from Martha Stewart Crafts. I thank Devin for helping me with those. Black grosgrain ribbon was tied around the tops of the frames for hanging. The skeleton keys found on eBay were simply hung from the branch with black cotton thread at varying lengths.

FLAMING FUN | These old-fashioned counter-weight wire candleholders by Bethany Lowe Designs added just the right mood. Of course they look great in the photo and can create the right mood in real life, but have to be carefully attended—especially on a dried branch—as with any live flame. The candle holders were purchased from Bayberry Cove.

PARADE OF CHARACTERS | Real pumpkins are painted with flat gray latex paint to look as if they are casted. The simple and inexpensive paper masks from Target were slipped onto the painted pumpkins making this family of last-minute apparitions come to life without any carving.

©2011 DARRYL MOLAND | ALL RIGHTS RESERVED

collecting, photography and styling by Darryl Moland

strike up the band

JULY FOURTH celebrations across the United States invariably involve a band. What parade would be complete without that unmistakeably loud brassy sound? More often than not, modern bands are patterned after a particular Drum and Bugle Corps style. If you weren't in a band at some point in your life, like I was in high school (playing trumpet), you might not realize that drum corps long history is steeped in military tradition. And that the modern creativity of the artform evolved into integrating music, a marching drill, and a color guard replete with various forms of dance and equipment. All this is staged on the large scale of a football field. It is one of the most creative group endeavors for young people, especially if they have a love for music and art. In fact a lot of corps members end up being music teachers, band directors, and even professional musicians.

MY FIRST BAND director in high school in the late 1970's introduced our band to the exciting "modern corps style" by showing us a shaky Super Eight film of the Santa Clara Vanguard from California. The color guard's signature bottle dance to the music from Fiddler on the Roof was something we would incorporate in one of our shows. I remember the night at band camp when we all watched this film. The excitement rippled across the room. Here we were, a small high school band, delving into a new and more expressionistic way to present a marching show. It felt like we were starting something new—and we were. I think we all knew then that our lives would become more focused on being in the band after seeing this level of professionalism from our not-too-distant peers. To achieve the high standards that the corps set, we would have to practice hours every day after school—and we did. And to make the old "back in high school" joke—we honestly loved it. Except it was no joke. My fellow band members and I were about to see what could happen when we put our talent and minds to the challenge.

THE EXPERIENCE of being a part of such a band has served me well throughout life. It made me realize early on what could be accomplished when a like-minded group of people came together to create something so technically difficult. We reached a level of perfection where we could score well and win contests—quite a sense of acheivement for a bunch of high school kids. We traveled to contests and parades from Florida to Pennsylvania. All-the-while we were having amazing fun in perfecting a show that would entertain entire stadiums full of people. And the friends we made in the process were life-long—we can still get together and fondly recall those heady times. I just went to a band reunion last summer and we did just that.

SOME OF MY friends in the band went on to be in a professional drum and bugle corps and travel their summer circuit. Drum and bugle corps were dedicated to achieving a higher standard of the artform. I always say that you have to experience a corps show in person to really appreciate it. There's nothing like hearing and seeing a technically difficult piece of music (a lot of times from classical composers) being played and marched well with a color guard interpreting the music with a certain visual flair. This was, of course, done along with an incredibly complex cadence provided by the drum line. With names steeped in tradition like the Cadets, Cavaliers, Madison Scouts, Blue Devils, Phantom Regiment, and such, "striking up the band" is taken to a whole new level. And it is a truly American form of music and performance that has caught on in other parts of the world. I plan to make it to the DCI Atlanta Southeastern Championship this year in Atlanta.

THE TRADITION of music in this country has been always been one that pushes boundaries. A lot of musical styles were invented here and continue to be a quintessential part of our expression and culture. I know that having been a part of the band gave me a certain edge-up on a lot of things. It was the first challenge I had in which the creative skills of many—with a lot of practice and dedication—could coalesce into—well, a band. Even so, we were all marching to a different drummer and playing our individual hearts out.

TOP BRASS | (Four photos from top) These mercury glass ornaments are from last season at Pottery Barn. Finding them on clearance after the season sparked the idea for using a large number of them for a July 4th tree as realized here. The wire tree is from my personal collection, the tablecloth is from a past season at Old Navy. The Cadets offer an audio download to get you in the patriotic spirit with their arrangement of "Strike Up the Band." 

STARS FELL | (Above, bottom) One of the best memories from my years in the Hokes Bluff High School "Green Machine" was when were invited to be a part of the nation's Bicentennial parade in Philadelphia, PA. While in  staging for the main route on a back street in the city, the college band counterparts invited from Alabama (The Marching Southerners from Jacksonville State University) set up in concert formation and literally blew everyone away with their own arrangement of "Stars Fell on Alabama." I still get goose bumps thinking about that moment! These glittered star ornaments were purchased from Bayberry Cove and are by Dee Foust Collectibles for Bethany Lowe Designs.

AMERICAN COMPOSITION | (Above) This video snippet from a show performed by the 1987 DCI World Champion (Garfield) Cadets (from New Jersey). They fielded American composer Aaron Copeland's Appalachian Spring in a way I had never seen before. They had such a cool sophistication—I was awestruck—and I was lucky enough to see this show in person a few times. Put your earphones on to hear the wall of sound created by G bugles. Regretfully, only the first and second movements are shown in this video. 

Make sure you link to the many hyperlinks throughout this post for fun corps-style music and other surprises. For more information about Drum Corps International, please visit their website and find a show this summer near you—the season ends mid-August with the DCI World Championships in Indianapolis, Indiana on August 13th. You can see the preliminaries live from Indiana in a movie theater if you can't be there, but I can't stress enough that this is a musical experience you must see in person if you can.

©2011 DARRYL MOLAND | ALL RIGHTS RESERVED

photography and styling by Darryl Moland

valentine mythology

VALENTINE'S  DAY  is ripe with symbolism. A lot of people think that it's just a day dreamed up by greeting card companies to sell cards or by florists to sell flowers. It may have very well become that in modern times, but the storied mythology behind the holiday goes deeper and is richer than chocolate, roses (along with their dangerous thorns), and all the inherent saccharine sweetness of the modern holiday combined.

THIS  DAY  MEANT  for lovers has direct ties to Greek Mythology. In one such mythological tale, it seems that Apollo (Phoebus) insults Cupid (Eros) for playing with bows and arrows, boastfully asking him "What, wanton boy, are mighty arm to thee, great weapons suited to the needs of war?" Cupid was an impishly coy god of Love though, and took out his arrow and shoots Apollo with an arrow poisoning him with love for an unsuspecting wood nymph named Daphne, while also poisoning Daphne with an opposite, but equal revulsion for Apollo. Smitten with new love for Daphne, he pursues her. Of course Daphne wants no part of it and flees until her father, a river god, takes pity on her and turns her into a laurel tree, where she becomes rooted to the ground and sprouts the qualities of a tree. Apollo is undaunted and ceremoniously wears a branch that he broke from the newly transformed Daphne-as-a-tree, consecrating the tree to himself and declaring a certain victory in his plight.

IN  AN  AGE  of ecological crisis, one might assign an allegorical importance to this story by having Apollo stand in as mankind, while Daphne becomes the natural world. Our relationship with nature becomes predatory and when we fail to find harmony with it, we break off a piece of it to symbolically herald our dominion over it—wearing the laurel wreath like a champion—all the while forgetting that Mother Nature rules us, not the other way around.

THIS  VALENTINE  tree with its crumpled paper/discarded love letter background is adorned with fragile glass hearts. The beaded wire tree itself stoically rises from a faux stone. Stone hearts and chocolate heart confections vie for attention. Green roses are combined with rosemary sprigs to hold the memory of the simplest truths of love. Victory is not inherent in such a tableau, but if the ingredients are measured carefully, the combined chemistry might grow into something amazing.

ONE  MIGHT  also remember that love isn't blind and bent on a path of "having," but with finding a certain harmony in our relationships (whether it be with a person, animal or something in nature). It all happens organically, literally and figuratively. It's easy to forget that when we are consumed with an unhealthy desire to "hold" something that is constantly changing and growing. Love in its truest form helps position our deepest natural longings with a certain tempered understanding of our place within it. In this scenario, love truly does conquer all.

TREE OF HEARTS | (Top) A beaded wire tree anchored in a cement faux stone from Sundance is simply decorated with small mercury glass heart ornaments in shades of silver, violet, pink and red. Roses and rosemary sprigs in a Hotel silver trumpet bud vase stand in for the natural world. 

APOLLO CONSUMED | (Painting, 2nd from top) Apollo Chasing Daphne by Carlo Maratti, oil on canvas, circa 1681. In this painting Daphne's hands are changing into a Laurel tree while Apollo is in hot pursuit after Cupid slings arrows of love and revulsion to Apollo and Daphne respectively. Click on the portion of the painting shown here to see it in its entirety.

CONFECTIONERY HEARTS | (Third photo) I've tied this pleated foil-wrapped chocolate heart (made by Madelaine Chocolate Company) with a horizontally-striped ribbon in hues of pink and tan. The heart-shaped key lime truffle with a pink heart decal in the white chocolate coating is distributed by CVS Pharmacy, Inc. as part of a box of Absolutely Divine label premium truffles.

LOVE ON A PLATE | (Bottom) This melamine vintage graphic-printed dessert plate is by John Derian for Target. The stone hearts appearing in all of the photos are handmade Haitian stone hearts distributed by Pottery Barn, the proceeds of which go to funding the Haitian relief activities of HAND/EYE Funds Artisan Grants Program. HAND/EYE Fund works in Haiti to help artisans recover from the life-challenging loss of shelter, equipment, workshops and income due to the catastrophic earthquake.

©2011 DARRYL MOLAND | ALL RIGHTS RESERVED.

Photography, collecting and styling by Darryl Moland.

new year glitz

TWO-THOUSAND-ELEVEN  sounds a bit like science fiction. It only seems like a few years ago that I brought in the year 2000 in Minneapolis, Minnesota at a huge, multi-themed night club called appropriately-enough "The Gay 90s," which is still alive and well. How does the time fly by like this? This year, I'll be having a more quiet affair (I'm thinking) at a friend's home. You never know though, how enlivened a party can become once people get enough bubbly in them. I'm planning also on attending a New Year's party tomorrow. It will certainly be more tame if everyone is nursing a hangover from New Year's Eve night. It's always good though to start the new year with friends, no matter if quietly, or with a bang.

IT'S  EASY  TO  FORGET  the nuances of the years that have flown by. Friends come and go, but for old times sake, I don't easily forget the people most important to me—you know who you are. The classic New Year's song Auld Lang Syne begins with a rhetorical question as to whether it is right that old times be forgotten. This New Year's toast and tree is my way of remembering long-standing relationships and wishing all loved ones (including blog followers) a happy and prosperous 2011. 

MY  GOAL  this year is to self-publish a small digitally-produced photo book or magazine with photos of my trees and editorial information about their creation. The plan is to sell it here on the blog and use it to shop my ideas around to real publishers. So, I'll be posting less here and spending more time on that. I've gotten so used to burning it at both ends though, who knows what the new year will bring? I do plan to have posts just as I have surrounding the major holidays.

THAT  IS  the exciting thing about a new year. It is a time to fix yourself a drink and reflect on old and new goals alike. My only definite plan is keeping sight of the end result and keep moving toward it—hoping for the best. I'm not good at wiping the slate clean—I sort of look at what I've collected in life (physical and otherwise) as my palette. The problem is, it is all getting to be an unorganized mess that is harder and harder to move ahead with. So I'm taking a few steps back to refocus and to hopefully be able to take a larger step forward. 

BRING IN THE NEW | (Top) Bringing in the new doesn't always mean throwing out the old, but it certainly is necessary to make room for new aspirations.This large mercury glass tree is encircled with a garland made from my collection of beaded snowflakes attached to a garland made of wire and glass beads from Cost Plus World Market. Two miniature metal cups and a champagne bottle from Crate & Barrel hang from a stately deer's antlers (made from recycled aluminum). The champagne-filled glasses are garnished with rosemary sprigs that I've given a sparkle with a coating of egg white and coarse sanding sugar.

TOP SHINE | (Above) I've retrofitted this tree topper by Seasons of Cannon Falls with a new glittered disk of type of my own design. Surrounded by beautiful glittered and tinseled metal rays, the manufacturer got that part right, but the original type with the clip art champagne glasses (left) was a bit clunky for my taste. I purchased my topper from Bayberry Cove.

SPARKLY SNOWFLAKES | (Above) Part of my fancy collection of glass-beaded snowflake ornaments (mostly made in Czechoslovakia) are assembled together on a garland around a large and sturdy mercury glass pleated tree form (made in India) from Home Goods.
 

GLEAMING NEW | (Above) This beautiful reindeer from Home Goods symbolically stands guard and brings a cup (or two) of good cheer on its antlers. The champagne flutes are garnished with sprigs of sugared rosemary as a symbol of remembering the good times.

OVERVIEW | (Above) Looking from above, it's easy to see the ground—a promise I am making to myself this year to step back so I can see the big picture. The glittery bugle-beaded charger is from Z Gallerie.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED.

Photography, collecting and styling by Darryl Moland

here comes the sun

Here comes the sun, 
here comes the sun, 
and I say it's all right . . .

                 —the Beatles

WINTER  SOLSTICE this year will be marked by a number of simultaneous celestial events. There will be a lot to see in the sky on December 20-21, which will be replete with a full moon, a total lunar eclipse, and the Ursid meteor shower. So it's definitely a time to wish upon a star—I'll start with the brightest and best—the unblinking sun at the center of our solar system.

NOT  SINCE  1638 (372 years ago) have Winter Solstice and a lunar eclipse coincided. The Solstice lunar eclipse will be visible starting in the early-morning hours of December 21st here in the Eastern United States (actually visible late tonight for the Western United States). So, you'll have to be a night owl or an early bird to view it. Visible from four continents, the best views are from North and Central America. It also may be seen in totality from northern and western Europe, some of northeast Asia, Hawaii, and New Zealand.

FROM  BEGINNING  to end, the eclipse will last about three-and-a-half hours. The sight can be spectacular, because refraction of the sun's light by the Earth's atmosphere will color the moon's surface unpredictably (depending on how much dust or the number of clouds in the sky). During past eclipses (see the video of a 2008 eclipse below) the moon has appeared a deep bronze, blood red or even a dark yellow.

WHAT  DO  THESE  celestial events mean in conjunction with Solstice? According to my astrologer friend Cathy Burroughs, this year's Solstice lunar eclipse has the capacity to be "profoundly transformative."  She recommends a reading to help guide you during this time of astrological upheaval and new direction. It certainly can't be a bad idea to get in touch with effects of the more cosmic aspects of the universe by which we are all connected to nature—even if only to view things more philosophically. 

ACCORDING  TO  information Cathy sent me, the Solstice lunar eclipse this year occurs at 29°21' degrees of Gemini with the Sun in Sagittarius, just five degrees from the Galactic Center which speaks of the global impact of its astrological significance on all of us. It is also interesting that aside from being the shortest day and longest night of the year, the sun's daily maximum daily position in the sky is the lowest. And as the days start lengthening and the nights get shorter, interpretation varies from culture to culture, but most hold a recognition of rebirth.

CELEBRATING  such a special Winter Solstice called for decorating my tree with sun ornaments I've collected over the years. Most of these are from the late-eighties and early nineties when all things celestial were all-the-rage in the market. Just as I dug through my past to collect all of these ornaments together again, I'm thinking from what I read and hear that a lot of old stuff will be dredged up by such a strong set of celestial events. After all, the tradition of the decorated tree began in the Old World as a pagan ritual to conjure up the return of the spring sun when the cold and seemingly lifeless winter months began each year. The warmth of spring always followed though, thanks to the sun.

IT  CAN'T  hurt to pay attention to our more humanistic connections with the cosmos and the natural world. The Earth, Moon and Sun influence everything from the birth of babies (more are born during the full moon), to when we plant and nurture our crops, aside from how long our days are throughout the seasons. The transformation marked by this year's coinciding cosmic events signify all that the holiday season is about. From the birth of Jesus as "the reason for the season," for a large part of the world's population, to simply believing in the the promise of the returning light of the sun. We're all connected to nature and the cosmos in the most profound way.

LET THE SUNSHINE IN | (Top) In the cold and sometimes dreary winter months, it certainly helps to think of the sun's warming rays and significance in our Earthly lives, as I have done with this collection of sunny ornaments. I wired fresh balsam fir evergreen branches to conceal a heavy wire tree form and shaped this custom tree that will hold a good number of heavier decorations.

FACING THE SUN | (Above) My widely-varied collection of sun ornaments were the inspiration for this golden tree full of sunny faces.
  

ALL  AGLOW | (Above) A symbolic harbinger of spring is represented by this clip-on bird with a long feather tail. It perches on a branch among a varied collection of ornaments that are direct or indirect reminders of the warmth of the sun.

RAY OF LIGHT | This glittery ornament serves as a spectacular tree topper and evokes the brightest star in our sky—the sun. It could also represent the night star that led the wisemen to Bethlehem.

DOE, A DEER | Alert at the base of the tree among the presents, are two deer purchased this season from Nandina Home & Design in Atlanta. Ornaments included from my collection shown in this photo range from hand made (like one of my favorites—the sculpted sun face surrounded by four metal rays) to a hand blown glass finial and traditional stamped metal, wood and mercury glass ornaments.

TOTAL LUNAR ECLIPSE | (Added December 21, below) A brilliant time lapse of the December 21, 2010 total lunar eclipse illustrates its dramatic presence. I saw it progress until the clouds covered it just before the total eclipse (only a sliver of the moon was lit), so I didn't see the red/orange moon, but there were pinkish clouds in the sky from the refracted light of the sun. This morning's eclipse was brilliantly photographed by William Castleman in Gainesville, Florida. [©2010 by William L. Castleman, 1:10 AM EST (6:10 GMT) to 5:03 AM EST (10:03 GMT). Music is Claude Debussy Noctures: Sirènes]. Double-click on the image below to view widescreen or full screen on the Youtube website.

©2010 DARRYL MOLAND | ALL RIGHTS RESERVED.

Photography, collecting and styling by Darryl Moland